Ulysses and the Metamorphosis of Stephen Dedalus
Bucknell University Press, 2001 - Počet stran: 222
This study makes the case that the novel's intricate self-consciousness begins as a very recognizable story: the 'Kunstlerroman.' In such a reading, Ulysses emerges as the story of the time-obsessed Stephen Dedalus, who desires to compose a masterful chronicle that will one day rival the timeless narratives of Ovid and Homer. McBride's analysis treats at length Stephen's poetic theories and compositions, examinig them as clear forerunners to the novel that the reader is reading. The culminating point is the claim that the figures of Leopold and Molly Bloom may be elaborate fictions created by Stephen.
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Coming Events Cast Their Shadows Before Stephens Poetics and the Creation of Ulysses
A Perfect Wreath The Nostos as the Novels Source
Beyond the Modality of the Audible The Silent Subtext in Stephens Story About Bloom
Další vydání - Zobrazit všechny
actual added appears Aristotle artifice artist becomes begins Bloom Boylan calls Calypso chapter character Circe clock close comes course create creation critical death Dedalus diegesis discussion Dublin earlier emphasis episode evident eyes fact father fiction figure final follow four hand hour imagination important initial James Joyce Joyce's kind later letter live looking meaning meeting mention metafictional mind Molly Molly's morning move narration narrative nature never noted novel once opening Ovid Penelope perhaps phrase play poet poetic Portrait possible potential present reader reading references role says scene Scylla and Charybdis seems seen sense Shakespeare simply soap Stephen Stephen's story story Street suggests takes tale telling temporal theory thinks thoughts throughout turn Ulysses University Press vision watch wife women wonder write young
Strana 12 - We shall never know, for the good reason that writing is the destruction of every voice, of every point of origin. Writing is that neutral, composite, oblique space where our subject slips away, the negative where all identity is lost, starting with the very identity of the body writing.
Strana 19 - What's in a name? That is what we ask ourselves in childhood when we write the name that we are told is ours. A star, a daystar, a firedrake rose at his birth. It shone by day in the heavens alone, brighter than Venus in the night, and by night it shone over delta in Cassiopeia, the recumbent constellation which is the signature of his initial among the stars.