Hamlet Closely ObservedAthlone Press, 1985 - Počet stran: 316 A major interpretative account of Shakespeare's play, this is a close scrutiny which will engage readers directly with the text and perfomance of the work. The Renaissance code of honor is seen to be of central importance to the character of the hero, his actions, and to the play as a whole; and, viewed in this light, there is fresh revelation of the character of Hamlet himslef and of the dramatic world of which he is a part. Mr. Dodsworth challenges the conventional and traditional reading of Hamlet at many points. But he enforces no single overall meaning and readers are encouraged to remain sensiive to their own individual understanding and response. |
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Strana 46
... feel that his mother's remarriage has sullied his flesh ? The answer to this question cannot lie simply in his dislike or distrust of Claudius , nor can it altogether depend on Hamlet's grief for his father and the feeling that his ...
... feel that his mother's remarriage has sullied his flesh ? The answer to this question cannot lie simply in his dislike or distrust of Claudius , nor can it altogether depend on Hamlet's grief for his father and the feeling that his ...
Strana 65
... feel him gen- uinely a whole person . And what we feel he seems to feel too : he as- sociates his heart with the thought of depths opening up within him : Give me that man That is not passion's slave , and I will wear him In my heart's ...
... feel him gen- uinely a whole person . And what we feel he seems to feel too : he as- sociates his heart with the thought of depths opening up within him : Give me that man That is not passion's slave , and I will wear him In my heart's ...
Strana 143
... feel again as it did in the deceptively random exchanges of the second act . The emphasis is now on action - but action of a distinctive kind . As I have suggested , Hamlet is not acting in any positive fashion when he turns on Ophelia ...
... feel again as it did in the deceptively random exchanges of the second act . The emphasis is now on action - but action of a distinctive kind . As I have suggested , Hamlet is not acting in any positive fashion when he turns on Ophelia ...
Obsah
Raising questions | 35 |
Hamlet and the Ghost | 49 |
Hamlets weakness | 69 |
Autorská práva | |
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action actor already ambiguous appears associated audience behaviour body cause character Claudius comes concern contrast course court death describes doubt effect example expressed fact Fate father feel force further Gertrude Ghost given gives Hamlet hand heart honesty honour Horatio human idea imagine implies important individual interest interpretation kind King King's Laertes least lines look madness matter meaning merely mind moral mother motive nature offered once opening Ophelia person physical play players Polonius possible present prince Prosser Providence Queen question reading reason reference reflects regard relation response revenge role Rosencrantz and Guildenstern says scene seems seen sense Shakespeare situation social soliloquy soul speaks speech spirit stage stands suggests surely things thought turn understand virtue wants weakness whole