Hamlet Closely ObservedAthlone Press, 1985 - Počet stran: 316 A major interpretative account of Shakespeare's play, this is a close scrutiny which will engage readers directly with the text and perfomance of the work. The Renaissance code of honor is seen to be of central importance to the character of the hero, his actions, and to the play as a whole; and, viewed in this light, there is fresh revelation of the character of Hamlet himslef and of the dramatic world of which he is a part. Mr. Dodsworth challenges the conventional and traditional reading of Hamlet at many points. But he enforces no single overall meaning and readers are encouraged to remain sensiive to their own individual understanding and response. |
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Výsledky 1-3 z 90
Strana 18
... idea exercised ; and that is more important than the statistic . It is as a fact of the imagination , too , that Shakespeare treats honour in Hamlet . The play is not a demonstration of certain principles held unswervingly and applied ...
... idea exercised ; and that is more important than the statistic . It is as a fact of the imagination , too , that Shakespeare treats honour in Hamlet . The play is not a demonstration of certain principles held unswervingly and applied ...
Strana 52
... idea of honour , informing both . The play's third scene justifies its existence in part by focusing attention on this idea and implying its relevance to what has preceded it . The individual's share in a common family honour , the ...
... idea of honour , informing both . The play's third scene justifies its existence in part by focusing attention on this idea and implying its relevance to what has preceded it . The individual's share in a common family honour , the ...
Strana 89
... idea of honour - which had been the dominant idea in the first act , and which regains dominance in the last act of the play , following the return of Laertes — is in the middle section of the play put on the same level as , and even ...
... idea of honour - which had been the dominant idea in the first act , and which regains dominance in the last act of the play , following the return of Laertes — is in the middle section of the play put on the same level as , and even ...
Obsah
Raising questions | 35 |
Hamlet and the Ghost | 49 |
Hamlets weakness | 69 |
Autorská práva | |
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action actor already ambiguous appears associated audience behaviour body cause character Claudius comes concern contrast course court death describes doubt effect example expressed fact Fate father feel force further Gertrude Ghost given gives Hamlet hand heart honesty honour Horatio human idea imagine implies important individual interest interpretation kind King King's Laertes least lines look madness matter meaning merely mind moral mother motive nature offered once opening Ophelia person physical play players Polonius possible present prince Prosser Providence Queen question reading reason reference reflects regard relation response revenge role Rosencrantz and Guildenstern says scene seems seen sense Shakespeare situation social soliloquy soul speaks speech spirit stage stands suggests surely things thought turn understand virtue wants weakness whole