Hamlet Closely ObservedAthlone Press, 1985 - Počet stran: 316 A major interpretative account of Shakespeare's play, this is a close scrutiny which will engage readers directly with the text and perfomance of the work. The Renaissance code of honor is seen to be of central importance to the character of the hero, his actions, and to the play as a whole; and, viewed in this light, there is fresh revelation of the character of Hamlet himslef and of the dramatic world of which he is a part. Mr. Dodsworth challenges the conventional and traditional reading of Hamlet at many points. But he enforces no single overall meaning and readers are encouraged to remain sensiive to their own individual understanding and response. |
Vyhledávání v knize
Výsledky 1-3 z 77
Strana 166
... lines before the play in which he figures is interrupted and abandoned . But those six lines are preceded by a whole ' scene ' from ' The Mousetrap ' , a scene of seventy - two lines in length - that is , somewhat longer than , for ...
... lines before the play in which he figures is interrupted and abandoned . But those six lines are preceded by a whole ' scene ' from ' The Mousetrap ' , a scene of seventy - two lines in length - that is , somewhat longer than , for ...
Strana 172
... line , but leading perfectly into the subject - matter of the next two lines , stated with the simplicity of a popular saying : This world is not for aye , nor ' tis not strange That even our loves should with our fortunes change . . The ...
... line , but leading perfectly into the subject - matter of the next two lines , stated with the simplicity of a popular saying : This world is not for aye , nor ' tis not strange That even our loves should with our fortunes change . . The ...
Strana 205
... lines as a whole . But how should the actor express this incongruity ? Should he intemperately shout out Shakespeare's lines , giving them the un- healthful music of the madness which the words deny ? I think not . There is a change in ...
... lines as a whole . But how should the actor express this incongruity ? Should he intemperately shout out Shakespeare's lines , giving them the un- healthful music of the madness which the words deny ? I think not . There is a change in ...
Obsah
Raising questions | 35 |
Hamlet and the Ghost | 49 |
Hamlets weakness | 69 |
Autorská práva | |
Další části 10 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action actor already ambiguous appears associated audience behaviour body cause character Claudius comes concern contrast course court death describes doubt effect example expressed fact Fate father feel force further Gertrude Ghost given gives Hamlet hand heart honesty honour Horatio human idea imagine implies important individual interest interpretation kind King King's Laertes least lines look madness matter meaning merely mind moral mother motive nature offered once opening Ophelia person physical play players Polonius possible present prince Prosser Providence Queen question reading reason reference reflects regard relation response revenge role Rosencrantz and Guildenstern says scene seems seen sense Shakespeare situation social soliloquy soul speaks speech spirit stage stands suggests surely things thought turn understand virtue wants weakness whole