Hamlet Closely ObservedAthlone Press, 1985 - Počet stran: 316 A major interpretative account of Shakespeare's play, this is a close scrutiny which will engage readers directly with the text and perfomance of the work. The Renaissance code of honor is seen to be of central importance to the character of the hero, his actions, and to the play as a whole; and, viewed in this light, there is fresh revelation of the character of Hamlet himslef and of the dramatic world of which he is a part. Mr. Dodsworth challenges the conventional and traditional reading of Hamlet at many points. But he enforces no single overall meaning and readers are encouraged to remain sensiive to their own individual understanding and response. |
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Výsledky 1-3 z 77
Strana 81
... scene . And if the symmetry perceived in the scene by Rose does anything more than lay emphasis on that central speech of Hamlet's it tends to diminish the status of Hamlet's initiative by making it a counterpart to that of Claudius ...
... scene . And if the symmetry perceived in the scene by Rose does anything more than lay emphasis on that central speech of Hamlet's it tends to diminish the status of Hamlet's initiative by making it a counterpart to that of Claudius ...
Strana 178
... scene , for which Gertrude is the intended audience — these scenes may advance the story but they move within the restricted area of theatricality . Scene 3 is no exception to this rule : it shows another actor , this time Claudius ...
... scene , for which Gertrude is the intended audience — these scenes may advance the story but they move within the restricted area of theatricality . Scene 3 is no exception to this rule : it shows another actor , this time Claudius ...
Strana 224
... scene is not the middle of the fourth act , but the last scene of the first part of the play normally equivalent to the first three acts of modern editions . There is no division of the play into acts and scenes beyond II.2 in the First ...
... scene is not the middle of the fourth act , but the last scene of the first part of the play normally equivalent to the first three acts of modern editions . There is no division of the play into acts and scenes beyond II.2 in the First ...
Obsah
Raising questions | 35 |
Hamlet and the Ghost | 49 |
Hamlets weakness | 69 |
Autorská práva | |
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action actor already ambiguous appears associated audience behaviour body cause character Claudius comes concern contrast course court death describes doubt effect example expressed fact Fate father feel force further Gertrude Ghost given gives Hamlet hand heart honesty honour Horatio human idea imagine implies important individual interest interpretation kind King King's Laertes least lines look madness matter meaning merely mind moral mother motive nature offered once opening Ophelia person physical play players Polonius possible present prince Prosser Providence Queen question reading reason reference reflects regard relation response revenge role Rosencrantz and Guildenstern says scene seems seen sense Shakespeare situation social soliloquy soul speaks speech spirit stage stands suggests surely things thought turn understand virtue wants weakness whole