An Essay on the Science of ActingCowie and Strange, 1828 - Počet stran: 201 |
Vyhledávání v knize
Výsledky 1-3 z 37
Strana 144
... passion the position will naturally follow the several accesses and recesses of that passion , whether grief , joy , anger , revenge , & c . & c . , nor must it always be kept without motion ; nor on the contrary , perpetually moving ...
... passion the position will naturally follow the several accesses and recesses of that passion , whether grief , joy , anger , revenge , & c . & c . , nor must it always be kept without motion ; nor on the contrary , perpetually moving ...
Strana 145
... passion . The countenance must be brightened with a pleasant gaiety on things that are agreeable , and that according to the degrees of being so ; and also in joy , which must still be heightened in the passion of love ; though indeed ...
... passion . The countenance must be brightened with a pleasant gaiety on things that are agreeable , and that according to the degrees of being so ; and also in joy , which must still be heightened in the passion of love ; though indeed ...
Strana 192
... passion . We would have the beginning , insinuating , soft , and easy , and in a tone more low , more humble , than the subsequent matter of discourse , nor has the speaker any occasion to raise his voice to any great stretch of passion ...
... passion . We would have the beginning , insinuating , soft , and easy , and in a tone more low , more humble , than the subsequent matter of discourse , nor has the speaker any occasion to raise his voice to any great stretch of passion ...
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
acted action actor actress admiration ancient anger appeared applause audience beauty characters circumstance Colin Mitchell comedy conveyed Cooke's Covent Garden Theatre Crow Street theatre Demosthenes discourse drama dress Drury Lane esteemed excellence exclaimed exhibited express eyes Fair Penitent Falstaff fame favour feel force Garrick genius gentleman George Frederick Cooke give graceful Hamlet hands hearers heart hero honour Iago John Philip Kemble judgment justly Kemble King lady Liverpool look manager manner Mark Antony ment mind motion Munden nature never night observed opinion Othello passion performance person Placid play players possess pronunciation proper propriety pulpit Quin racter render replied represent representation requisite respect Richard the Third scene seemed Shakespeare Sheffield shew short Shylock sion solemn soon soul speak speech stage talent Tate Wilkinson theatrical Thespis thing tion tone town tragedy virtue voice witnessed words young actor