Richard IIINorthcote House, 2006 - Počet stran: 120 "Richard III has the status of a monster in British culture, and the continuous popularity of Shakespeare's play has done much to foster this. Deformity and distortion operate through this myth on many levels. This study is an essay in five 'distortions', tracking the way the play manipulates and explores fundamental human concerns: the body, history, theatre, childhood and family and the mirrors and shadows of individual identity and self-knowledge."--BOOK JACKET. |
Obsah
The Body | 18 |
Deformations of History | 38 |
Plays and Players | 54 |
Autorská práva | |
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actor anamorphic Anne Antony Sher audience body Brian Cox brother BUCK Catesby characters child Cibber citizens Clarence's Colley Cibber context court creates death distortion dramatic dream Duchess of York earlier plays edition Edward Edward Burns Elizabeth Elizabeth of York Elizabethan English figure Folio Gallery ghosts Hankey Henry the Sixth Henry VI Henry VI plays History Plays Holbein's Ian Richardson idea innocence instates Jane Shore killing kind King Henry King Richard London look Looking for Richard lord Margaret McKellen/Loncraine film medieval metaphor mirror monster moral More's mother murderers narrative Norman Rodway Old Curiosity Old Curiosity Shop Olivier's performance perhaps physical play's political presents princes psychological Quartos queen reading Renaissance RICH Richard and Buckingham Richard the Third Richard's deformity Richmond Rodway/Hands role scene seems sense sequence sexual shadow Shakespeare Sher's soliloquy stage Stephen Greenblatt story theatre theatrical thou Tillyard Tower twentieth-century visual women