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R.

RApe of Proferpine, a French Opera, some Particu

lars in it, N. 29.

Reafon, inftead of governing Paffion, is often fubfervient to it, N. 6.

Recitativo, (Italian) not agreeable to an English Audience. N. 29. Recitative Mufick in every Language ought to be adapted to the Accent of the Language, ibid. Retirement, the Pleasure of it, where truly enjoyed, N. 4. Rich (Mr.) would not fuffer the Opera of Whittington's Cat to be performed in his House, and the Reafon for it, N. 5.

S.

Almon (Mrs.) her Ingenuity, N. 28.

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Sanctorius, his Invention, N. 25.

Sense some Men of Sense more despicable than common Beggars, N. 6.

Sentry, (Captain) a Member of the Spectator's Club, his Character, N. 2.

Sextus Quintus, the Pope, an Instance of his unforgiving Temper, N. 23.

Shadows and Realities not mixed in the fame Piece, N.5. Shovel (Sir Cloudefly) the ill Contrivance of his Monument in Westminster-Abby, N. 26.

Sighers, a Club of them in Oxford, N. 30. Their Regulations, ibid.

Sign-Posts, the Abfurdities of many of them, N. 28. Socrates, his Temper and Prudence, N. 23.

Solitude: an Exemption from Paffions the only pleafing Solitude, N. 4.

·Sparrows bought for the use of the Opera, N. 5. Spartan Virtue acknowledged by the Athenians, N. 6. Spectator (the) his Prefatory Difcourfe, N. 1. His great Taciturnity, ibid. His Vision of Publick Credit, 3. His Entertainment at the Table of an Acquaintance, 7. His Recommendation of his Speculations, 10. Advertised in the Daily Courant, 12.

His Encounter

with

.

with a Lion behind the Scenes, 13. The Defign
of his Writings, 16. No Party-man, ibid. A-lit-
tle unhappy in the Mold of his Face, 17. His Ar-
tifice, 19. His defire to correct Impudence, 20;
and Refolution to march on in the cause of Virtue, 34.
Starers reproved, N. 20.

Superftition, the Folly of it defcribed, N. 7.

Susanna, or Innocence betray'd, to be exhibited by Mr.
Powell, with a new pair of Elders, N. 14.

T.

Templer, one of the Spectator's Club, his Character,

2.

Thunderer to the Play-house, the Hardships put upon him,
and his defire to be made a Cannon, N. 36.

Tom Tits to perfonate the finging Birds in the Opera.

N. 5.

Tombs in Weftminster visited by the Spectator, N. 26 ;
his Reflection upon it, ibid.

UG

U.

Glinefs, fome Speculations upon it, N. 32.
Understanding, the Abuse of it is a great Evil, N. 6.

·W.

WIT, the mifchief of it. when accompanied with
Vice, N. 23; very pernicious when not tem-
pered with Virtue and Humanity, ibid. turned into
Deformity by Affectation, 38. Only to be valued
as it is applied, 6.

Women, the more powerful Part of our People, N. 4.
Their ordinary Employments, 10. Smitten with
Superficials, 15. Their ufual Conversation, ibid.
Their strongest Paffion, 33. Not to be confider'd
meerly as Objects of Sight, ibid.

Y.

YARICO, the Story of her Adventure, N. 11.

The End of the first Volume.

2.0

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