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summit of a rock that was not far from me, where I discovered one in the habit of a shepherd, with a little musical instrument in his hand. As I looked upon him, he applied it to his lips, and began to play upon it. The sound of it was exceedingly sweet, and wrought into a variety of tunes that were inexpressibly melodious, and altogether different from anything I had ever heard. They put me in mind of those heavenly airs that are played to the departed souls of good men upon their first arrival in paradise, to wear out the impressions of the last agonies, and qualify them for the pleasures of that happy place. My heart melted away in secret raptures.

I had been often told that the rock before me was the haunt of a genius, and that several had been entertained with music who had passed by it, but never heard that the musician had before made himself visible. When he had raised my thoughts by those transporting airs which he played, to taste the pleasures of his conversation, as I looked upon him like one astonished, he beckoned to me, and by the waving of his hand, directed me to approach the place where he sat. I drew near with that reverence which is due to a superior nature; and as my heart was entirely subdued by the captivating strains I had heard, I fell down at his feet and wept. The genius smiled upon me with a look of compassion and affability that familiarised him to my imagination, and at once dispelled all the fears and apprehensions with which I approached him. He lifted me from the ground, and taking me by the hand, 'Mirza,' said he, I have heard thee in thy soliloquies; follow me.'

He then led me to the highest pinnacle of the rock, and placing me on the top of it, 'Cast thine eyes eastward,' said he, and tell me what thou seest.' 'I see,' said I, 'a huge valley, and a prodigious tide of water rolling through it.' The valley that thou seest,' said he, is the vale of misery, and the tide of water that thou seest, is part of the great tide of eternity.' 'What is the reason,' said I, 'that the tide I see rises out of a thick mist at one end, and again loses itself in a thick mist at the other?' 'What thou seest,' said he, 'is that portion of eternity which is called Time, measured out by the sun, and reaching from the beginning of the world to its consummation. Examine now,' said he, 'this sea that is bounded with darkness at both ends, and tell me what thou discoverest in it.' 'I see a bridge,' said I, 'standing in the midst of the tide.' "The bridge thou seest,' said he, 'is Human Life; consider it attentively.' Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which, added to those that were entire, made up the number to about a hundred. As I was counting the arches, the genius told me that this bridge consisted at first of a thousand arches, but that a great flood swept away the rest, and left the bridge in the ruinous condition I now beheld it. 'But tell me further,' said he, what thou discoverest on it.' 'I see multitudes of people passing over it,' said I, and a black cloud hanging on each end of it.' As I looked more attentively, I saw several of the passengers dropping through the bridge into the great tide that flowed beneath it; and upon further examination, perceived there were innumerable trap-doors that lay concealed in the bridge, which the passengers no sooner trod upon, but they fell through them into the tide, and immediately disappeared. These hidden pitfalls were set very thick at the entrance of the bridge, so that throngs of people no sooner broke through the cloud, but many of them fell into them. They grew thinner towards the middle, but multiplied and lay closer together towards the end of the arches that were entire.

There were indeed some persons, but their number was very small, that continued a kind of hobbling march on the broken arches, but fell through one after another, being quite tired and spent with so long a walk.

I passed some time in the contemplation of this wonderful structure, and the great variety of objects

which it presented. My heart was filled with a deep melancholy to see several dropping unexpectedly in the midst of mirth and jollity, and catching at everything that stood by them to save themselves. Some were looking up towards the heavens in a thoughtful posture, and, in the midst of a speculation, stumbled, and fell out of sight. Multitudes were very busy in the pursuit of bubbles that glittered in their eyes and danced before them; but often when they thought themselves within the reach of them, their footing failed, and down they sank. In this confusion of objects, I observed some with scimitars in their hands, and others who ran to and fro upon the bridge, thrusting several persons on trap-doors which did not seem to lie in their way, and which they might have escaped had they not been thus forced upon them.

The genius seeing me indulge myself on this melancholy prospect, told me I had dwelt long enough upon it. 'Take thine eyes off the bridge,' said he, ' and tell me if thou yet seest anything thou dost not comprehend.' Upon looking up, 'What mean,' said I, 'those great flights of birds that are perpetually hovering about the bridge, and settling upon it from time to time? vultures, harpies, ravens, cormorants, and, among many other feathered creatures, several little winged boys, that perch in great numbers upon the middle arches.' "These,' said the genius, 'are Envy, Avarice, Superstition, Despair, Love, with the like cares and passions that infest Human Life.'

I see

I here fetched a deep sigh. Alas,' said I, man was made in vain!-how is he given away to misery and mortality !-tortured in life, and swallowed up in death!' The genius being moved with compassion towards me, bade me quit so uncomfortable a prospect. Look no more,' said he, 'on man in the first stage of his existence, in his setting out for eternity, but cast thine eye on that thick mist into which the tide bears the several generations of mortals that fall into it.' I directed my sight as I was ordered, and-whether or no the good genius strengthened it with any supernatural force, or dissipated part of the mist that was before too thick for the eye to penetrate-I saw the valley opening at the further end, and spreading forth into an immense ocean, that had a huge rock of adamant running through the midst of it, and dividing it into two equal parts. The clouds still rested on one half of it, insomuch that I could discover nothing in it; but the other appeared to me a vast ocean planted with innumerable islands that were covered with fruits and flowers, and interwoven with a thousand little shining seas that ran among them. I could see persons dressed in glorious habits, with garlands upon their heads, passing among the trees, lying down by the sides of fountains, or resting on beds of flowers, and could hear a confused harmony of singing-birds, falling waters, human voices, and musical instruments. Gladness grew in me upon the discovery of so delightful a scene. I wished for the wings of an eagle that I might fly away to those happy seats, but the genius told me there was no passage to them except through the Gates of Death that I saw opening every moment upon the bridge. 'The islands,' said he, that lie so fresh and green before thee, and with which the whole face of the ocean appears spotted as far as thou canst see, are more in number than the sands on the sea-shore; there are myriads of islands behind those which thou here discoverest, reaching further than thine eye, or even thine imagination, can extend itself. These are the mansions of good men after death, who, according to the degree and kinds of virtue in which they excelled, are distributed among these several islands, which abound with pleasures of different kinds and degrees, suitable to the relishes and perfections of those who are settled in them. Every island is a paradise accommodated to its respective inhabitants. Are not these, O Mirza! habitations worth contending for? Does life appear miserable, that gives thee opportunities of earning such a reward? Is death to be

feared, that will convey thee to so happy an existence? Think not man was made in vain, who has such an eternity reserved for him.' I gazed with inexpressible pleasure on these happy islands. At length, said I: 'Shew me now, I beseech thee, the secrets that lie hid under those dark clouds which cover the ocean on the other side of the rock of adamant.' The genius making me no answer, I turned about to address myself to him a second time, but I found that he had left me. I then turned again to the vision which I had been so long contemplating, but instead of the rolling tide, the arched bridge, and the happy islands, I saw nothing but the long hollow valley of Bagdat, with oxen, sheep, and camels grazing upon the sides of it.

Sir Roger de Coverley's Visit to Westminster Abbey. My friend Sir Roger de Coverley told me the other night that he had been reading my paper upon Westminster Abbey, in which,' says he, there are a great many ingenious fancies.' He told me, at the same time, that he observed I had promised another paper upon the tombs, and that he should be glad to go and see them with me, not having visited them since he had read history. I could not at first imagine how this came into the knight's head, till I recollected that he had been very busy all last summer upon Baker's Chronicle, which he has quoted several times in his disputes with Sir Andrew Freeport since his last coming to town. Accordingly, I promised to call upon him the next morning, that we might go together to the abbey.

I found the knight under the butler's hands, who always shaves him. He was no sooner dressed, than he called for a glass of the Widow Trueby's water, which he told me he always drank before he went abroad. He recommended to me a dram of it at the same time, with so much heartiness, that I could not forbear drinking it. As soon as I had got it down, I found it very unpalatable; upon which the knight, observing that I had made several wry faces, told me that he knew I should not like it at first, but that it was the best thing in the world against the stone or gravel.

I could have wished, indeed, that he had acquainted me with the virtues of it sooner; but it was too late to complain, and I knew what he had done was out of good-will. Sir Roger told me further, that he looked upon it to be very good for a man whilst he stayed in town, to keep off infection, and that he got together a quantity of it upon the first news of the sickness being at Dantzic: when of a sudden, turning short to one of his servants, who stood behind him, he bade him call a hackney-coach, and take care that it was an elderly man that drove it.

He then resumed his discourse upon Mrs Trueby's water, telling me that the Widow Trueby was one who did more good than all the doctors and apothecaries in the country; that she distilled every poppy that grew within five miles of her; that she distributed her medicine gratis among all sorts of people; to which the knight added, that she had a very great jointure, and that the whole country would fain have it a match between him and her; ‘and truly,' says Sir Roger, if I had not been engaged, perhaps I could not have done better.'

His discourse was broken off by his man's telling him he had called a coach. Upon our going to it, after having cast his eye upon the wheels, he asked the coachman if his axle-tree was good. Upon the fellow's telling him he would warrant it, the knight turned to me, told me he looked like an honest man, and went in without further ceremony.

We had not gone far, when Sir Roger, popping out his head, called the coachman down from his box, and upon presenting himself at the window, asked him if he smoked. As I was considering what this would

end in, he bid him stop by the way at any good tobacconist's, and take in a roll of their best Virginia. Nothing material happened in the remaining part of our journey, till we were set down at the west end of the abbey.

As we went up the body of the church, the knight pointed at the trophies upon one of the new monuments, and cried out: A brave man, I warrant him!' Passing afterwards by Sir Cloudesley Shovel, he flung his head that way, and cried: 'Sir Cloudesley Shovel! a very gallant man!' As we stood before Busby's tomb, the knight uttered himself again after the same manner: 'Dr Busby! a great man! he whipped my grandfather; a very great man! I should have gone to him myself, if I had not been a blockhead; a very great man !'

We were immediately conducted into the little chapel on the right hand. Sir Roger, planting himself at our historian's elbow, was very attentive to everything he said, particularly to the account he gave us of the lord who had cut off the king of Morocco's head. Among several other figures, he was very well pleased to see the statesman Cecil upon his knees; and concluding them all to be great men, was conducted to the figure which represents that martyr to good housewifery who died by the prick of a needle. Upon our interpreter's telling us that she was a maid of honour to Queen Elizabeth, the knight was very inquisitive into her name and family; and after having regarded her finger for some time, 'I wonder,' says he, 'that Sir Richard Baker has said nothing of her in his Chronicle.'

We were then conveyed to the two coronation chairs, where my old friend, after having heard that the stone underneath the most ancient of them, which was brought from Scotland, was called Jacob's pillar, sat himself down in the chair; and looking like the figure of an old Gothic king, asked our interpreter, 'what authority they had to say that Jacob had ever been in Scotland? The fellow, instead of returning him an answer, told him that he hoped his honour would pay his forfeit.' I could observe Sir Roger a little ruffled upon being thus trepanned; but our guide not insisting upon his demand, the knight soon recovered his good-humour, and whispered in my ear, that if Will Wimble were with us, and saw those two chairs, it would go hard but he would get a tobacco-stopper out of one or t' other of them.

Sir Roger, in the next place, laid his hand upon Edward III.'s sword, and leaning upon the pummel of it, gave us the whole history of the Black Prince; concluding, that in Sir Richard Baker's opinion, Edward III. was one of the greatest princes that ever sat upon the English throne.

We were then shewn Edward the Confessor's tomb; upon which Sir Roger acquainted us, that he was the first who touched for the evil: and afterwards Henry IV.'s; upon which he shook his head, and told us there was fine reading in the casualties of that reign.

Our conductor then pointed to that monument where there is a figure of one of our English kings without an head; and upon giving us to know that the head, which was of beaten silver, had been stole away several years since; 'Some Whig, I'll warrant you,' says Sir Roger : you ought to lock up your kings better; they will carry off the body too, if you do not take care.'

The glorious names of Henry V. and Queen Elizabeth gave the knight great opportunities of shining, and of doing justice to Sir Richard Baker, 'who,' as our knight observed with some surprise, 'had a great many kings in him, whose monuments he had not seen in the abbey.'

For my own part, I could not but be pleased to see the knight shew such an honest passion for the glory of his country, and such a respectful gratitude to the memory of its princes.

I must not omit, that the benevolence of my good old

friend, which flows out towards every one he converses with, made him very kind to our interpreter, whom he looked upon as an extraordinary man; for which reason he shook him by the hand at parting, telling him that he should be very glad to see him at his lodgings in Norfolk Buildings, and talk over these matters with him more at leisure.

Genealogy of Humour.

It is indeed much easier to describe what is not humour, than what is; and very difficult to define it otherwise than as Cowley has done wit, by negatives. Were I to give my own notions of it, I would deliver them after Plato's manner, in a kind of allegory, and by supposing Humour to be a person, deduce to him all his qualifications, according to the following genealogy: Truth was the founder of the family, and the father of Good Sense. Good Sense was the father of Wit, who married a lady of collateral line called Mirth, by whom he has issue Humour. Humour therefore, being the youngest of the illustrious family, and descended from parents of such different dispositions, is very various and unequal in his temper; sometimes you see him putting on grave looks and a solemn habit, sometimes airy in his behaviour and fantastic in his dress; insomuch that at different times he appears as serious as a judge and as jocular as a Merry Andrew. But as he has a great deal of the mother in his constitution, whatever mood he is in, he never fails to make his company laugh.

Ned Softly.

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"That is,' says he, when you have your garland on; when you are writing verses.'

To which I replied: "I know your meaning; a metaphor!'

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'The same,' said he, and went on :

'And tune your soft melodious notes.

'Pray, observe the gliding of that verse; there is scarce consonant in it: I took care to make it run upon liquids. Give me your opinion of it.'

Truly,' said I, I think it is as good as the former.' 'I am very glad to hear you say so,' says he; 'but mind the next.'

You seem a sister of the Nine.

"That is,' says he, 'you seem a sister of the Muses; for if you look into ancient authors, you will find it was their opinion that there were nine of them.'

'I remember it very well,' said I; 'but pray proceed.' 'Or Phoebus' self in petticoats.

'Phoebus,' says he, was the god of poetry. These little instances, Mr Bickerstaff, shew a gentleman's reading. Then to take off from the air of learning which Phoebus and the Muses have given to this first stanza,

Or Phoebus' self in petticoats.'

'Let us now,' says I, 'enter upon the second stanza. I find the first line is still a continuation of the metaphor.'

Ned Softly is a very pretty poet, and a great admirer you may observe how it falls all of a sudden into the familiar in petticoats? of easy lines. Waller is his favourite: and as that admirable writer has the best and worst verses of any among our great English poets, Ned Softly has got all the bad ones without book, which he repeats upon occasion, to shew his reading, and garnish his conversation. Ned is indeed a true English reader, incapable of relishing the great and masterly strokes of this art; but wonderfully pleased with the little Gothic ornaments of epigrammatical conceits, turns, points, and quibbles, which are so frequent in the most admired of our Eng lish poets, and practised by those who want genius and strength to represent, after the manner of the ancients, simplicity in its natural beauty and perfection.

Finding myself unavoidably engaged in such a conversation, I was resolved to turn my pain into a pleasure, and to divert myself as well as I could with so very odd a fellow. 'You must understand,' says Ned, 'that the sonnet I am going to read to you was written upon a lady, who shewed me some verses of her own making, and is perhaps the best poet of our age. But you shall hear it. Upon which he began to read as follows:

'To Mira, on her incomparable poems.
When dressed in laurel wreaths you shine,
And tune your soft melodious notes,
You seem a sister of the Nine,

Or Phœbus' self in petticoats.

I fancy, when your song you sing
(Your song you sing with so much art),
Your pen was plucked from Cupid's wing;
For ah! it wounds me like his dart.'

'Why,' says I, 'this is a little nosegay of conceits, a very lump of salt; every verse hath something in it that piques; and then the dart in the last line is certainly as pretty a sting in the tail of an epigram (for so I think you critics call it), as ever entered into the thought of a poet.'

'Dear Mr Bickerstaff,' says he, shaking me by the hand, 'everybody knows you to be a judge of these things; and to tell you truly, I read over Roscommon's

'I fancy, when your song you sing.

'It is very right,' says he; 'but pray observe the turn of words in those two lines. I was a whole hour in adjusting of them, and have still a doubt upon me, whether in the second line it should be, "Your song you sing;" or, "You sing your song." You shall hear them both: I fancy, when your song you sing (Your song you sing with so much art);

or

I fancy, when your song you sing,
You sing your song with so much art.'

'Truly,' said I, 'the turn is so natural either way that you have made me almost giddy with it.'

'Dear sir,' said he, grasping me by the hand, 'you have a great deal of patience; but pray what do you think of the next verse?

Your pen was plucked from Cupid's wing.'

'Think!' says I, 'I think you have made Cupid look like a little goose.'

'That was my meaning,' says he: 'I think the ridicule is well enough hit off. But we now come to the last, which sums up the whole matter:

For ah! it wounds me like his dart. 'Pray how do you like that "Ah!" Doth it not make a pretty figure in that place? "Ah!" It looks as if I felt the dart, and cried out at being pricked with it.

For ah! it wounds me like his dart.

'My friend Dick Easy,' continued he, 'assured me he would rather have written that "Ah !" than to have been the author of the Eneid. He indeed objected, that I

made Mira's pen like a quill in one of the lines, and like a dart in the other. But as to that'

'Oh! as to that,' says I, 'it is but supposing Cupid to be like a porcupine, and his quills and darts will be the same thing.' He was going to embrace me for the hint; but half a dozen critics coming into the room, whose faces he did not like, he conveyed the sonnet into his pocket, and whispered me in the ear, he would shew it me again as soon as his man had written it over fair.

The Works of Creation.

I was yesterday about sunset walking in the open fields, until the night insensibly fell upon me. I at first amused myself with all the richness and variety of colours which appeared in the western parts of heaven. In proportion as they faded away and went out, several stars and planets appeared one after another, until the whole firmament was in a glow. The blueness of the ether was exceedingly heightened and enlivened by the season of the year, and by the rays of all those luminaries that passed through it. The galaxy appeared in its most beautiful white. To complete the scene, the full moon rose at length in that clouded majesty which Milton takes notice of, and opened to the eye a new picture of nature, which was more finely shaded, and disposed among softer lights, than that which the sun had before discovered to us.

As I was surveying the moon walking in her brightness, and taking her progress among the constellations, a thought rose in me which I believe very often perplexes and disturbs men of serious and contemplative natures. David himself fell into it in that reflection: When I consider the heavens the work of thy fingers, the moon and the stars which thou hast ordained, what is man that thou art mindful of him, and the son of man that thou regardest him?' In the same manner, when I considered that infinite host of stars, or, to speak more philosophically, of suns, which were then shining upon me, with those innumerable sets of planets or worlds which were moving round their respective suns-when I still enlarged the idea, and supposed another heaven of suns and worlds rising still above this which we discovered, and these still enlightened by a superior firmament of luminaries, which are planted at so great a distance, that they may appear to the inhabitants of the former as the stars do to us-in short, while I pursued this thought,' I could not but reflect on that little insignificant figure which I myself bore amidst the immensity of God's works.

Were the sun which enlightens this part of the creation, with all the host of planetary worlds that move about him, utterly extinguished and annihilated, they would not be missed more than a grain of sand upon the sea-shore. The space they possess is so exceedingly little in comparison of the whole, that it would scarce make a blank in the creation. The chasm would be imperceptible to an eye that could take in the whole compass of nature, and pass from one end of the creation to the other; as it is possible there may be such a sense in ourselves hereafter, or in creatures which are at present more exalted than ourselves. We see many stars by the help of glasses which we do not discover with our naked eyes; and the finer our telescopes are, the more still are our discoveries. Huygenius carries this thought so far, that he does not think it impossible there may be stars whose light has not yet travelled down to us since their first creation. There is no question but the universe has certain bounds set to it; but when we consider that it is the work of infinite power prompted by infinite goodness, with an infinite space to exert itself in, how can our imagination set any bounds to it?

To return, therefore, to my first thought; I could not but look upon myself with secret horror as a being that was not worth the smallest regard of one who had so great a work under his care and superintendency. I was afraid of being overlooked amidst the immensity of

nature, and lost among that infinite variety of creatures which in all probability swarm through all these immeasurable regions of matter.

In order to recover myself from this mortifying thought, I considered that it took its rise from those narrow conceptions which we are apt to entertain of the divine nature. We ourselves cannot attend to many different objects at the same time. If we are careful to inspect some things, we must of course neglect others. This imperfection which we observe in ourselves is an imperfection that cleaves in some degree to creatures of the highest capacities, as they are creatures; that is, beings of finite and limited natures. The presence of every created being is confined to a certain measure of space, and consequently his observation is stinted to a certain number of objects. The sphere in which we move, and act, and understand, is of a wider circumference to one creature than another, according as we rise one above another in the scale of existence. But the widest of these our spheres has its circumference. When, therefore, we reflect on the divine nature, we are so used and accustomed to this imperfection in ourselves, that we cannot forbear in some measure ascribing it to Him in whom there is no shadow of imperfection. Our reason indeed assures us that his attributes are infinite; but the poorness of our conceptions is such, that it cannot forbear setting bounds to everything it contemplates, until our reason comes again to our succour, and throws down all those little prejudices which rise in us unawares, and are natural to the mind of man.

We shall, therefore, utterly extinguish this melancholy thought of our being overlooked by our Maker, in the multiplicity of his works and the infinity of those objects among which he seems to be incessantly employed, if we consider, in the first place, that he is omnipresent; and, in the second, that he is omniscient.

If we consider him in his omnipresence, his being passes through, actuates, and supports the whole frame of nature. His creation, and every part of it, is full of him. There is nothing he has made that is either so distant, so little, or so inconsiderable, which he does not essentially inhabit. His substance is within the substance of every being, whether material or immaterial, and as intimately present to it as that being is to itself. It would be an imperfection in him were he able to remove out of one place into another, or to withdraw himself from anything he has created, or from any part of that space which is diffused and spread abroad to infinity. In short, to speak of him in the language of the old philosopher, he is a being whose centre is everywhere, and his circumference nowhere.

In the second place, he is omniscient as well as omnipresent. His omniscience, indeed, necessarily and naturally flows from his omnipresence: he cannot but be conscious of every motion that arises in the whole material world, which he thus essentially pervades; and of every thought that is stirring in the intellectual world, to every part of which he is thus intimately united. Several moralists have considered the creation as the temple of God, which he has built with his own hands, and which is filled with his presence. Others have considered infinite space as the receptacle, or rather the habitation, of the Almighty. But the noblest and most exalted way of considering this infinite space is that of Sir Isaac Newton, who calls it the sensorium of the Godhead. Brutes and men have their sensoriola, or little sensoriums, by which they apprehend the presence and perceive the actions of a few objects that lie contiguous to them. Their knowledge and observation turn within a very narrow circle. as God Almighty cannot but perceive and know everything in which he resides, infinite space gives room to infinite knowledge, and is, as it were, an organ to omniscience.

But

Were the soul separate from the body, and with one

glance of thought should start beyond the bounds of the creation-should it for millions of years continue its progress through infinite space with the same activity -it would still find itself within the embrace of its Creator, and encompassed round with the immensity of the Godhead. While we are in body, he is not less present with us because he is concealed from us. 'Oh that I knew where I might find him!' says Job. 'Behold I go forward, but he is not there; and backward, but I cannot perceive him: on the left hand where he does work, but I cannot behold him: he hideth himself on the right hand that I cannot see him.' In short, reason as well as revelation assures us that he cannot be absent from us, notwithstanding he is undiscovered by us.

In this consideration of God Almighty's omnipresence and omniscience, every uncomfortable thought vanishes. He cannot but regard everything that has being, especially such of his creatures who fear they are not regarded by him. He is privy to all their thoughts, and to that anxiety of heart in particular which is apt to trouble them on this occasion: for as it is impossible he should overlook any of his creatures, so we may be confident that he regards with an eye of mercy those who endeavour to recommend themselves to his notice, and in an unfeigned humility of heart think themselves unworthy that he should be mindful of them.

EUSTACE BUDGELL.

EUSTACE BUDGELL (1685-1737) was a relation of Addison-his mother being Addison's cousingerman. He was educated at Christ Church, Oxford. He accompanied Addison to Ireland as clerk, and afterwards rose to be Under-Secretary of State, and a distinguished member of the Irish Parliament. Thirty-seven numbers of the Spectator are ascribed to Budgell; and though Dr Johnson says that these were either written by Addison, or so much improved by him that they were made in a manner his own, there seems to be no sufficient authority for the assertion. It is true that the style and humour resemble those of Addison; but as the two writers were much together, a successful attempt on Budgell's part to imitate the productions of his friend, was probable enough. In 1717, Budgell, who was a man of extreme vanity and vindictive feeling, had the imprudence to lampoon the Irish viceroy, by whom he had been deeply offended; the result of which was his dismissal from office, and return to England. During the prevalence of the South-sea Scheme, he lost a fortune by speculation, and in attempts to gain a seat in the House of Commons, and subsequently figured principally as a virulent party writer and an advocate of infidelity. At length his declining reputation suffered a mortal blow by a charge of having forged a testament in his own favour. By the will of Dr Matthew Tindal, it appeared that a legacy of £2000 had been left to Budgell. The will was set aside and the unhappy author disgraced. It is to this circumstance that Pope alludes in the couplet:

Let Budgell charge low Grub Street on my quill, And write whate'er he please-except my will. Some years afterwards, this wretched man, involved in debts and difficulties, and dreading an execution in his house, deliberately committed sucide, by leaping from a boat while shooting London Bridge. This took place in 1737. There was found in his bureau a slip of paper, on which he had written :

550

What Cato did, and Addison approved, Cannot be wrong.

But in this he of course misrepresented Addison, who has put the following words into the mouth of the dying Cato :

Yet methinks a beam of light breaks in
On my departing soul. Alas! I fear
I've been too hasty. O ye powers that search
The heart of man, and weigh his inmost thoughts,
If I have done amiss, impute it not.

The best may err, but you are good.

The contributions of Budgell to the Spectator are distinguished by the letter X.

The Art of Growing Rich.

The subject of my present paper I intend as an essay on 'The ways to raise a man's fortune, or the art of growing rich,'

The first and most infallible method towards the

attaining of this end is thrift; all men are not equally qualified for getting money, but it is in the power of every one alike to practise this virtue; and I believe there are few persons who, if they please to reflect on their past lives, will not find, that had they saved all those little sums which they have spent unnecessarily, they might at present have heen masters of a compethrift; I find both these excellently well recommended tent fortune. Diligence justly claims the next place to to common use in the three following Italian proverbs: Never do that by proxy which you can do yourself. Never defer that until to-morrow which you can do to-day.

Never neglect small matters and expenses.

A third instrument in growing rich is method in business, which, as well as the two former, is also attainable by persons of the meanest capacities.

The famous De Witt, one of the greatest statesmen of the age in which he lived, being asked by a friend in which he was engaged, replied: "That his whole art how he was able to despatch that multitude of affairs consisted in doing one thing at once. If,' says he, 'I have any necessary despatches to make, I think of nothing else until those are finished; if any domestic affairs require my attention, I give myself up wholly to them until they are set in order.

In short, we often see men of dull and phlegmatic tempers arriving to great estates, by making a regular and orderly disposition of their business; and that, without it, the greatest parts and most lively imagin ations rather puzzle their affairs, than bring them to a happy issue.

From what has been said, I think I may lay it down if he pleases, in his particular station of life, most as a maxim, that every man of good common sense may, certainly be rich. The reason why we sometimes see that men of the greatest capacities are not so, is either because they despise wealth in comparison of something else, or, at least, are not content to be getting an estate unless they may do it their own way, and at the same time enjoy all the pleasures and gratifications of life.

But besides these ordinary forms of growing rich, it must be allowed that there is room for genius as well in this as in all other circumstances of life.

Though the ways of getting money were long since very numerous, and though so many new ones have remaining so large a field for invention, that a man of been found out of late years, there is certainly still an indifferent head might easily sit down and draw up such a plan for the conduct and support of his life, as was never yet once thought of.

We daily see methods put in practice by hungry

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