I will name you you have books for good manners. The first, the Retort courteous; the fecond, the Quip modeft; the third, the Reply churlith; the fourth, the Reproof valiant; the fifth, the Countercheck quarrelfome; the fixth, the Lye with circumftance; the feventh, the Lye direct. All these you may avoid, but the Lye direct; and you may avoid that too, with an If. I knew, when feven Juftices could not take up a quarrel; but when the parties were met themselves, one of them thought but of an If; as, if you faid fo, then I faid fo; and they shook hands, and fwore brothers. Your If is the only peace-maker; much virtue in If. faq. Is not this a rare fellow, my Lord? he's good at any thing, and yet a fool. Duke Sen. He uses his folly like a ftalking horfe, and under the prefentation of that he shoots his wit. (3) Enter Hymen, Rofalind in woman's cloaths, and Celia. STILL MUSICK. Hym. Then is there mirth in heav'n, ditional lies, fpeaking of the particle ir, he fays-Conditional lies be (3) Enter Hymen.] Rofalind is imagined by the reft of the company to be brought by enchantment, and is therefore introduced by a fuppofed aerial being in the character of Hymen. Q. 3. Good Good Duke receive thy daughter, That thou might't join her band with bis, Rof. To you I give myself; for I am yours. To you I give myfelf; for I am yours. Duke Sen If there be truth in fight, daughter. [To the Duke. [To Orlando. you are my Orla. If there be truth in fight*, you are my Rofa lind. Phe. If fight and shape be true, Why, then my love adieu ! Rof. I'll have no father, if you be not he. I'll have no husband, if you be not he. Of thefe most strange events: If truth holds true contents (4). You and you no Crofs thall part; [To the Duke. [To Orlando. [To Phebe. [To Orlando and Rofalind. You and you are heart in heart You to his love must accord, [To the Clown and Audrey. Whiles a wedlock-hymn we fing, If there be truth in fight,] The anfwer of Phebe makes it probable that Orland fays, if there be truth in fhape: that is, if a form may be truftd; if one cannot ufurp the form of another. (4) If truth holds true contents.] That is, if there be truth in truib, unlefs truth fails of veracity, That That reafon wonder may diminish, How thus we meet, and these things finish. S O N G. Wedding is great Juno's Crown, Duke Sen. O my dear niece, welcome thou art to me, Ev'n daughter-welcome, in no less degree. Phe. I will not eat my word—now thou art mine, Thy faith my fancy to thee doth combine. Enter Jaques de Boys. Faq. de B. Let me have audience for a word or two- Duke Sen. Welcome, young man : 04 That That here were well begun, and well begot : That have endur'd fhrewd days and nights with us, Play, mufick; and you brides and bridegrooms all, And thrown into neglect the pompous Court. Jaq. To him will I: out of these convertites You to your land, and love, and great allies You to a long and well-deferved bed; [To Orla. [To Oli. [To Silv. [To the Clown. Is but for two months victual'd-fo to your pleasures: I am for other than for dancing measures. Duke Sen. Stay, Jaques, stay. Jaq. To fee no paftime, I-what you would have, I'll stay to know at your abandon'd Cave. [Exit. Duke Sen. Proceed, proceed; we will begin these rites ; As, we do truft, they'll end, in true delights. EPI EPILOGU E. Rof. It is not the fashion to fee the lady the Epilogue; but it is more unhandsome, than to fee the lord the Prologue. If it be true, that good wine needs no bub, 'tis true, that a good Play needs no Epilogue. Yet to good wine they do ufe good bushes: and good. Plays prove the better by the help of good Epilogues. What a cafe am I in then (5), that am neither a good Epilogue, nor can infinuate with you in the behalf of a good Play? I am not furnish'd like a beggar (6); therefore to beg will not become me. My way is to conjure you, and I'll begin with the women. I charge you, O women (7), for the love you bear to men, to like as much of this Play as pleafes you and I charge you, O men, for the love you bear to women (as I perceive by your fimpring, none of you hate them) that between you and the women, the Play may please. (5) What a cafe am I in then, &c.] Here feems to be a chafm, or some other depravation, which deftroys the fentiment here intended. The reasoning probably flood thus, Good wine needs no bufb, good plays need no epilogue, but bad wine requires a good bush,. and a bad play a good Epilogue. What cafe am I in then? To reftore the words is impoffible; all that can be done without copies is,. to note the fault. (6) furnish'd like a beggar ;] That is, dreffed: fo before, he was furnifbed like a huntsman. (7) I charge you, women, for the love you bear to men, to like as much of this play as pleafes You and Icharge you, 0 men, for the love you bear to women, -that between you and the women, &c.] This paffage fhould be read thus; I charge you, O women, for the love you bear to men, to like as much of this play as pleafes THEM: and I charge you, O men, for the love you bear to women, To LIKE AS MUCH AS PLEASES THEM, that between you and the women, &c. Without the alteration of You into Them, the invocation isDonfenfe; and without the addition of the words, to like as pleases them, the inference of, that between you and the women the play may pafs, would be unfupported by any precedent premises. The words feem to have been ftruck out by fome fenfelefs Player, as a vicious redundancy. WARBURTON. The words you and y written as was the cuftom in that time, were in manufcript fcarcely diftinguishable. The emendation is very judicious and probable. 05 If |