Criticism: The Major TextsWalter Jackson Bate Harcourt, Brace, 1952 - Počet stran: 610 |
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Strana 323
... reason to be the end or means of Art , independent of the known first effect produced by objects on the imagination , must be false and delusive . For though it may appear bold to say it , the imagination is here the residence of truth ...
... reason to be the end or means of Art , independent of the known first effect produced by objects on the imagination , must be false and delusive . For though it may appear bold to say it , the imagination is here the residence of truth ...
Strana 325
... reason- ing . It is indeed incomplete without it . By in- grafting reason on feeling , we " make assurance double sure . " ' Tis the last key - stone that makes up the arch- Then stands it a triumphal mark ! Then men Observe the ...
... reason- ing . It is indeed incomplete without it . By in- grafting reason on feeling , we " make assurance double sure . " ' Tis the last key - stone that makes up the arch- Then stands it a triumphal mark ! Then men Observe the ...
Strana 362
... reason " and " understanding . " The understand- ing is directed toward the concrete world - to the world we know through our senses . It classifies our sense impressions , and our associations and feeling drawn from these impressions ...
... reason " and " understanding . " The understand- ing is directed toward the concrete world - to the world we know through our senses . It classifies our sense impressions , and our associations and feeling drawn from these impressions ...
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action admiration ancient appear Aristotle artist beauty believe Ben Jonson blank verse century character Chaucer classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English epic Epic poetry essay Euripides example excellent expression feeling genius give Goethe Greek hath Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense sentiments Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing