VII. GOETHE; OR, THE WRITER. I FIND a provision, in the constitution of the world, for the writer or secretary, who is to report the doings of the miraculous spirit of life that every where throbs and works. His office is a reception of the facts into the mind, and then a selection of the eminent and characteristic experiences. Nature will be reported. All things are engaged in writing their history. The planet, the pebble, goes attended by its shadow. The rolling rock leaves its scratches on the mountain; the river, its channel in the soil; the animal, its bones in the stratum; the fern and leaf, their modest epitaph in the coal. The falling drop makes its sculpture in the sand or the stone. Not a foot steps into the snow, or along the ground, but prints, in characters more or less lasting, a map of its march. Every act of the man inscribes itself in the mem ories of his fellows, and in his own manners and face. The air is full of sounds; the sky, of tokens; the ground is all memoranda and signatures; and every object covered over with hints, which speak to the intelligent. In nature, this self-registration is incessant, and the narrative is the print of the seal. It neither exceeds nor comes short of the fact. But nature strives upward; and, in man, the report is something more than print of the seal. It is a new and finer form of the original. The record is alive, as that which it recorded is alive. In man, the memory is a kind of looking-glass, which, having received the images of surrounding objects, is touched with life, and disposes them in a new order. The facts which transpired do not lie in it inert; but some subside, and others shine; so that soon we have a new picture, composed of the eminent experiences. The man coöperates. He loves to communicate; and that which is for him. to say lies as a load on his heart until it is delivered. But, besides the universal joy of conversation, some men are born with exalted powers for this second creation. Men are born to write. The gardener saves every slip, and seed, and peach-stone his vocation is to be a planter of plants. Not less does the writer attend his affair. Whatever he beholds or experiences, comes to him as a model, and sits for its picture. He counts it all nonsense that they say, that some things are undescribable. He believes that all that can be thought can be written, first or last; and he would report the Holy Ghost, or attempt it. Nothing so broad, so subtle, or so dear, but comes therefore commended to his pen, and he will write. In his eyes, a man is the faculty of reporting, and the universe is the possibility of being reported. In conversation, in calamity, he finds new materials; as our German poet said, "some god gave me the power to paint what I suffer." He draws his rents from rage and pain. By acting rashly, he buys the power of talking wisely. Vexations, and a tempest of passion, only fill his sail ; as the good Luther writes, "When I am angry, I can pray well, and preach well:" and, if we knew the genesis of fine strokes of eloquence, they might recall the complaisance of Sultan Amurath, who struck off some Persian heads, that his physician, Vesalius, might see the spasms in the muscles of the neck. His failures are the preparation of his victories. A new thought, or a crisis of passion, apprises him that all that he has yet learned and written is exoteric, is not the fact, but some rumor of the fact. What then? Does he throw away the pen? No; he begins again to describe in the new light |