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Ιςασθε, τέσδ' άραντες ἱκτῆρας κλάδες
Αλλα δὲ Κάδμο λαὸν ὧδ ̓ ἀθροιζέτω.
Ως πᾶν ἐμε ̓ δράσοντα· ἢ γὰρ εὐτυχεῖς
Σὺν τῷ θεῷ φανούμεθ', ἢ πεπιωκότες.

او

SCENA TERTIA.

ΙΕΡΕΥΣ.

ΙΑΜΒΟΙ.

Ω παῖδες, ἱςώμεσθα· τῶνδε γὰρ χάριν

145

147. Note ιςωμες θα—and χαριν, as of any thing shining (from χαιρω) and Φοιβος σωτηρ. For the prototypes in the moon, of the performers of the choruses, I beg to refer the reader back to the groupe of musicians in the play of Othello, drawn in fig. 102 ante, to which I would add on the present occasion Fig. 127.

909

Καὶ δεῦρ ̓ ἐβημεν, ὧν ὅδ ̓ ἐξαγγέλλεται·
Φοῖβος δ ̓ ὁ πέμψας τάσδε μαντείας, ἅμα
Σωτήρ θ ̓ ἵκοιτο, καὶ νόσο παυςήριΘ. 150

SCENA QUART Α.

ΜΟΝΟΣΤΡΟΦΙΚΑ.

ΧΟΡΟΣ.

Ω Διὸς ἁδυεπὴς Φάτι, τίς ποτε Τᾶς πολυχρύσω Πυθῶνος

Αγλαὰς ἐβας Θήβας,

Εκτέταμαι φοβεράν φρένα,

with his lyre as their leader, which figure has the same prototype as Polonius in Hamlet, or Crowdero in Hudibras, now raised into a more important musical character. The choruses have a very particular bearing upon my subject as regarding the moon, but as they involve a great deal of detail respecting matter, which, as repeatedly stated before, is reserved for a future occasion, I now make no remarks upon them. If however. in the mean time the reader will run his eye over the choruses en passant, he will not fail to find abundant proofs of their general reference to the moon.

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Τρισσοὶ αλεξίμοροι προφάνητέ μοι

Εἴποτε καὶ προτέρας ἄιτας ὕπερ

Ορνυμένας πόλεις ηνύσατε

Εκτοπίαν φλόγα σήματα,
Ελθετε νῦν, ὦ πόποι.

175

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