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day. The allegorical charaeter of his great work, , venerable spirit of antiquity, and conjures up before
The Pairy Qaeen, is in itself a very unfavourable us all the grandeur and glory of old Rome. And
circumstance for bis fame; since few readers have why are sach dramas as these consigned to oblivion?
patieace to go through a long poem, which has little Dryden's character of Ben is magnificent; the fol-
or no tangible interest, however beautiful and ori- lowing passage is admirable and extremely just :
gical the imagery with which abounds. The “If I would compare him with Shakspeare, I must
critic will not hesitate to acknowledge its superla- acknowledge him the more correct poet, but Shak-
tive merit, whether considered as a work of art or speare the greater wit. Shakspeare was the Homer
a triumph of imagination; but the general reader, or father of our dramatic poets; Jonson was the
sbile he frequently pauses to admire the inimitable Virgil, the pattern of elaborate.writing; I admire
grace and delicacy of particular passages, will, bim, but I love Shakspeare.”
probably, lay down the work with a feeling of
weariness. Yet when we consider the rude state

MASSINGER. in which Spenser found the language, anil the dilli

This dramatist, second to none but him who calties he must have encountered in adapting it to never had an equal, Shakspeare, was born 1581, the elaborate species of metre he has employed, we

and received his education at Oxford. He was shall surely feel that it is impossible to praise his singularly modest and unassuming, claiming no prodactions too highly.

precedence of his associates on account of his lofty

endowinents, and accepting their praise more as a BEN JONSON.

favour than a right. He lived long and happily; Tuis erudite and excellent dramatist, who was bis years glided away in peace, for they were soborn at Westminster, 1571, bad the singular happi

laced by ihe applauses of the virtuous, and the Dess of receiving his education under the illustrious testimony of his own conscience. In his old age he Camden. His family was reputable, but his mother reposed in the shade of bis laurels, and delighted part yiag a second time, his step-father, a brick- to direct the energies of those young and ardent layer, taught him his own trade; and we are in spirits who were about to run the race which he formed, on tolerably good authority, that a portion had concluded with honour. He lies buried in the of Ben's brick and mortar still exists in Chancery same grave with his friend Fletcher, in the churchlane. Disgusted with this servile employment, he yard of St. Saviour, Southwark. The following entered the army, and served in the low countries epitaph is from the poems of sir Aston Cokain, with great credit; be soon, bowever, returned to

1659: England, and completed his studies at Cambridge.

“In the same grave was Fletcher buried, here

Lies the stage poet, Philip Massinger. A mere accident seems to have given a direction to Plays they did write together, were great friends, his talents : to procure bread, he joined a miserable

And now one grave includes them in their ends.

So whom on earth nothing did part, beneath company of players at the Curtain, in Shoreditch ; Here in their fame they lie, in spite of death." but his excellence was not to be developed here, It is quite unaccountable bow this author's works he remained poor and unnoticed. In a tavern brawl should have fallen into neglect, since a profound he had the misfortune to kill his opponent, and knowledge of human nature is evident in every being thrown into prison, languished there a consi- page; and his poetry is rich in that manly sentenderable time. It does not appear how be obtained tious eloquence which is so peculiarly effective on bis liberty; but he now became the intimate of the stage. Till very lately, A New Way to Pay Shakspeare, wbose kindliness of disposition ever Old Debts was the only play of his generally known. prompted bim to assist the aspirations of real talent; | Rowe, indeed, had pilfered largely from his Fatal and under his auspices, he commenced a dramatic Dowry, and foisted this stolen property on the writer. His success was complete ; his annual public under the title of The Fair Penitent; but the play was looked for anxiously, and hailed affec

trick was unsuspected, for who would take the tionately; he became one of the chief ornaments of trouble to read Massinger? A better taste seems a stage, ennobled with many kindred spirits; and, now gaining ground. The Duke of Milan has been however it may be the fashion to disregard his successfully revived; The Fatal Dowry bas apwritings at present, they certainly abound with peared in a form more equitable to its author; and, excellencies of the highest description. In 1619, be for the credit of the age, we trust the trash of the succeeded Daniel as laureat: the salary was only modern stage will soon give place to the sterling Obe bundred marks per annum; bat on Jouson's productions of the old English drama. application in 1630,' it was increased_to $100 and a tierce of Spanish wine, annually. Poor Ben,

BEAUMONT AND FLETCHER. bowever, often suffered all the pangs incident These authors, the Pylades and Orestes of liteto want; and once, when on a sick bed, in extreme ratore, are remarkable on several accounts. Their wretebedness, he petitioned Charles I. for pecuniary friendship presents the singular and pleasing specaid. The monarch sent him ten guineas, on which tacle of two great geniuses so closely united in Jonson said, “ His majesty has sent me ten goineas, their feelings and pursuits, that in upwards of fifty because I am poor and live in an alley; go and tell dramas which they wrote conjunctively, it is utterly him that his soul lives in an alley." Yet, in jus impossible to distinguish to which of them we are tice we are bound to state, that Charles once gave indebted for any particular scene or character. him £100, then a large sumn, and the above bitter Their compositions are so homogenoas, that were remark might have been breathed in the irritation we not assured of the contrary, we should ascribe of a wounded spirit. Jonson died in 1637, aged them, without hesitation, to the efforts of a single sixty-three years. His moral character has been mind. Here we may observe, that nothing in Shakquestioned ; in particular, he is ac used of ingrati speare's age is more worthy of commemoration, tude to Shak speare; and, indeed, a passage in bis than the good understanding, which subsisted Bartholomew Fair might coantenance the charge, among the galaxy of master-spirits that adorned did we not possess a noble poem dedicated by Ben those times. They lived together like a family of to his benefactor's memory.

brothers, no petly jealousies disturbed their comJonson's dramas are extremely numerous ; they munity; we continually find them advancing, withare much more correct and classical than Shak-out ostentation, each other's labours, and engaged speare's, but they are not so constantly irradi- in a friendly competition of good oflices. Hence ated by the beams of genius. Every Man in His we observe many plays written by three or four Humour is the only one of his plays that retains a different hands; and this practice, so opposite to place on the stage. Yet Volpone has never been the grovelling selfishness of modern writers, seems equalled in its way, and Sejanus breathes of the to have excited no surprise. The solitary anti

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As short as are the nights

social pride of intellectual superiority was sacrificed his early years owed much to the patronage of sir on the altar of friendship. The poetry of Beaumont | Thomas Walsingham. Prince Henry, that amiable and Fletcher's dramas is oftenexceedingly fine; they scion of royalty, and the far-famed earl of Somerare frequently prosaic, and even common-place, set, were also his friends; but his comedy of Eastbut these feelings are redeemed by bursts of pas ward Hoe, in wbich he bitterly reflects on the Scotch, sion and eloquence truly overpowering. In nice so offended king James that he was obliged to leave discrimination of character too, they are by no the court, and relinquish his prospects of prefermeans deficient, and nothing can excuse the de ment. However, he was one of heaven's nobility, pravity of taste which bas consigned their works to and the Crowns of the great could not dininish his dost and silence. They are said to have ridiculed self-esteem. He lived respected and died lamented Shakspeare in some of their plays, particularly in by the best and greatest men of his age. His The Knight of the Burning Pestle. If such liberties Translation of Homer surpasses in genius any that were taken, they gave no offence, for that wonder has yet appeared. Pope's is more elegant, no ful man often assisted them in their compositions. doubt; bui in all the essentials of true poetry old The following soug is from The Nice Valour, or Chapman has much the advantage. His dramatic The Passionate Madman, to which Milton must performances savour considerably of antiquity, have been indebted wben he wrote his Il Penseroso: but in reading them we find frequent occasion to “Hence all ye vain delights,

commend and admire. Ben Jonson, we are told, Wherein you spend your folly!

was jealous of bis great abilities; Shakspeare boThere's nought in this life sweet,

noured and fostered them. There is an anonymous If we were wise to see't,

poem in praise of this last anthor which has been But only melancholy; Oh, sweetest melancholy!

attributed to Chapman, and it is calculated to Welcome, folded arms, and fixed eyes,

heighten our estimation even of his powers.
A sigh that piercing mortifies;
A look that's fastend to the ground,

WEBSTER.
A tongue chain'd up without a sound!
Fountain heads, and pathless groves,

This poet, whose situation in life was very humble,
Places which pale passion loves!

his highest worldly distinction baving been that of Moonlight walks, when all the fowls Are warmly hous'd, save bats and owls!

parish clerk at St. Andrew's, Holborn, was cerA midnight bell, a parting groan!

tainly endowed with talents of no common order; These are the sounds we feed upon! Then stretch our bones in a still gloomy valley;

and although, from the want of the discipline which Nothing's so dainty sweet as lovely melancholy.” education allords, his genius frequently run riot, MARLOWE.

and developed itself in the most eccentric manner,

there can be little doubt that the representation This great tragic poet was educated at Cambridge, where he took the degree of B. A. 1583, plauding audiences. The public of his day were

of bis plays was attended by delighted and apand of M. A. 1587; his passions appear to have been very violent, and his whole life was stormy passion and imagination; and if an author could

content with the great elements of all true poetry, and unseitled. His mind was of the highest order; supply these, his productions were not rejected but, imagining for bimself a universe of perfect for any deficiencies of elegance and refinement. beauty and felicity, he was filled with disgust at the sorrows and disappointments of the real world his capital works, Webster continually sins against

In his White Devil, and the Duchess of Malfey, aronnd him. The manner of his death was extremely the arbitary enactments of criticism, and not seldom tragical: he was passionately fond of a beautiful against the more equitable laws of taste ; but be girl, whose circumstances were but humble : visiting her one evening, be found a low fellow in passion, and a boldness of imagination, which have

atones for these faults by displaying a strength of her company of whom he was jealous ; in the frenzy hardly ever been surpassed. of the moment he drew his poniard, (a weapon commonly worn,) intending to stab the unwelcome

MARSTON, intruder, but his antagonist wrenched the dagger This poet, like many of his gifted contemporaries, from his grasp, and Marlowe falling forwards, re has left no record behind biin but his works. He ceived it in bis heart. The wits of his age seem to appears, however, to have studied at Oxford ; and have had a very bigh opinion of Marlowe's talents. judging from the chastity and purity of bis' JanHeywood, no incompetent judge, styles him the guage, we may suppose, that he formed bis style best of poets; and Drayton writes of him thus : on classic models. His plays are eight in number, " Next, Marlowe bathed in the Thespian springs,

but the most remarkable are Antonio and Mellida, Had in him those brave translunary things,

1602; The Malcontent, 1604; and The Wonder That your first poet: had ; his raptures were All air and fire, wbich made his verses clear;

of Women, or Sophonisba, 1606; which last is For that fine madness still he did retain,

dedicated in warm terms to Ben Jonson, though Which rightly should possess a poet's brain.”

he afterwards had some disagreement with that The phrase, fine madness, very aptly expresses the

poet. character of his genius. In 'The Tragical History

MIDDLETON. of Dr. Faustus, the reader is continually startled by the wildness and incoherence of the poet's con

The companion of Jonson, Fletcher, Massinger, ceptions ; he transports us into a world of shadows,

and Rowley, with all of whom he occasionally and surrounds us with the terrible creations of an

wrote in concert, though his fame may safely rest over-excited fancy; yet so distinctly and vividly of his dramas bear date so recently as the reign of

on compositions wbich are entirely his own. Some are these strange imaginations pourtrayed, that we tremble and weep while they pass in review before earlier. A Mad World, my Masters, acted by the

Charles I. bat bis best plays were published much us. Notwithstanding all his powerful claims to our

Children of Paul's, 1608, is an excellent play; and admiration, Marlowe is scarcely known at present bat as the author of a little poem, beginning. Come many modern writers, thinking themselves safe in live with me, and be my love." Kean brought out

its obscurity, have pillaged from it very freely. bis Jew of Malta, (perbaps, the worst of his plays;) his Country Lasses, have taken the most liberties.

Mrs. Behn, in her City Heiress, and Johnson, in at Drury-lane Theatre; it attracted for a few nights, but four-legged performers were just then coming

ROWLEY. into fashion, and the aflair was hopeless.

This dramatist, though inferior to some of his

illustrious companions, will deservedly rank high CHAPMAN.

as one of the benefactors of the English stage. This writer, whose lofty endowments have sel He flourished in the reign of James I. and was dom been duly appreciated, was born 1557, and in I attached to a company of players belonging to the

prince of Wales. He was rather eminent as a masterpiece, and would have done honour to Shak-
pledian ; little is known of him more than his speare. The character of Annabella, the heroine,
close connexion with all the greatest wits and
paels of his age, by whom he was much beloved. | point of view, the situations of the drama are ob-
He assisted Middleton, Day, Heywood, and Web-jectionable, we cannot deny that ail the legitimate
bis own, besides one which he wrote in conjunc- | terror and pity, are fully attained.
ster, in their writings, and has left us five plays of purposes of tragedy, the powerful excitement of
tion with Shakspeare. One of his comedies, A
rerived at Covent Garden Theatre, with consi-creased by his quarrel with Ben Jonson, in ridi-

is exquisitely beautiful; and though, in a moral

New Wonder,

derable success.

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DECKER. never Vext, has been

This writer's reputation bas probably been in

cule of whom he wrote a play called, The Untrusspoint of time and genius. Sir Thomas More was

One of the first of our dramatic Writers, both in trend of Webster, force, and Rowley, a distinction particularly fond of him; he was a frequent com.

which nothing but his genius could have purchased

him. Brome, too, calls bim father, and constantpanion of the princess Mary, and his musical skill ly speaks of him witb the utmost reverence and made him a great favourite with Henry VIII. Da- affection. His Honest Whore, and Old Fortunaricg the short reign of Edward VI. he still con tas, are his best works; the latter, notwithstanding tinded at court, admired and beloved ; and on the extreme absurdity of the fable on which it is Mary's accession to the throne, be was admitted founded, is illustrated with so much fine writing, to the closest intimacy that subject could enjoy. that it give us the bighest opinion of Decker's The insinuating mildness of his temper, though in abilities. absolate contrast to the harshness and irritability

SHIRLEY. of ber disposition, frequently softened its asperi This prolific dramatist was of a very ancient ties, and we are even told that the playful humour family, and was born in London, 1594. He was a of his conversation, occasionally beguiled even the pupil at Merchant Tailors' School, and afterwards aguoy of her death-bed. He was of course a zeal- studied at Oxford, where Dr. Laud conceived a ous catholio; and on the accession of Elizabeth, he warm affection for him, in regard to his great tawent into voluntary exile, and died at Mechlin, in lents; yet, Shirley purposing to take orders, he Brabant, 1565. His longest work is entitled A would often tell him, “ that he was an unfit person Parable of the Spider and the Flie, of which Ho to take the sacred function upon him, and should linsbed says, “One also hath made a booke of the

never have his consent." Why does the reader Spider and the Flie, wherein be dealeth so pro- suppose ? On account of some moral defect? No; foundlie

, and beyond all measure of skill, that but because Shirley had a large mole on his left neither he himselfe that made it, neither anie one cheek, which Laud thought a deformity. He took that readeth it, can reach into the meaning there- orders, notwithstanding, and obtained a living at of." His great merit is that he contributed much

St. Albans; but he shortly became a Romanist, and to bring the Mysteries into disrepute, and to create resigning his preferment, commenced schoolmasa laste for more rational stage representations. None of his dramas extend beyond the limits of an

er; this new profession growing odious to him,

he went to London and began to compose plays. interlude; among them we find A Play of Love, In this way he gained, not merely an existence, 1533, and A Play of Gentleness and Nobilitie, 1535. but was much encouraged by many of the nobility; Her wood can scarcely be called a contemporary and ultimately, queen Henrietta being much pleasof Shakspeare ; but he is mentioned here as the ed with his writings, attached him to her housefirst regular dramatist oor stage has produced. hold. During the rebellion, he attended the earl THOMAS HEYWOOD.

of Newcastle, and was in several battles. The The most voluminous of all play-wrights, with king's cause being ruined, he returned to London, the exception of Lope de Vega ; for, in a preface and was supported for some time by Mr. Stanley to one of his dramas, he informs as, that it was the

the author of The Lives of the Philosophers. last of two hundred and twenty in which he had Plays were now denounced as an abomination, and either an entire hand, or at least a main finger.” he recommenced pedagogue in the White Friars, for posterity; of most of them we are ignorant, the Restoration. The theatre was again open to the following : Edward IV. two parts, 1599; Pour great applause. In 1666, occurred the terrible Prentices of London, 1615 ; and Maidenhead well lire of London ; he was burnt out of his house near Lost, 1634. Heywood also wrote an Apology for Fleet-street, and removed into the parish of St. Actors, of wbicb fraternity he was himself a member. He was undoubtedly a man of talent: his frightfal conflagration, he and his wife both expircomic scenes were fall of humour, and his tragie ed within a few hours, and were buried in the same opes abound with situations deeply pathetic ; but grave. Shirley succeeded best in comedy; there he always writes like an anthor who is composing is a light airy playfulness in his humour which is by contract, unless bis Woman killed with Kind peculiarly delighiful, and must have been quite ness be an exception.

refreshing to the royalists after the sour fanaticism

of the puritans. The Ball, 1639, is a favourable FORDE. Tais admirable dramatist was born 1586, and his specimen; but all his dramas, nearly forty in

number, are highly amusing. A contemporary
great talents procured the esteem and friendship
of all the excellent writers in whose age he flourish poet has this couplet in bis honour:

“ Shirley (the morning child) the Muses bred,
ed. He was most successful in delineating the
gloomy scenes of life; he delighted not in the in-

DRAYTON.
spirations of Thalia, but mixed all the powers of

Few writers have been more famous in their day bis melancholy spirit with the dark and terrible

tban the author of the Poly-Olbion; a poem, visions of Melpomene. Hence one of bis contem

which though at present scarcely ever read, poraries pleasantly says, "Deep in a dump, John Forde was alone got,

abounds with animated description and elegant

illustration. Drayton was a favourite court poet; A fine vein of tragedy runs through all his plays; he assisted at the coronation of James !. and was but 'Tis Pity She's a Whore is undoubtedly his I never in circumstances to make the praises of the

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And sent him born with bays upon his head.""

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With folded arms and melancholy hat."

million important to him. He is said to have, have been a favourite actor. Bat Field's claim to written The Merry Devil of Edmonton ; but this is notice rests on better grounds; for Massinger did doubtful, and were the fact established, it would not think himself disgraced by receiving his ascontribute but little to his fame.

sistance in the composition of The Fatal Dowry, PHINEAS FLETCHER.

and his ability for the task is evident from what This poet, whose great genius is obscured by he has done in his own dramas. His best plays the robe of allegory which it assumed, is the

are, A Woman's a Weathercock, 1612; and author of a singular production called the Purple Amends for Ladies, 1618; both of which are highly Island, in which all the various parts of the human praised by Chapman, a very competent judge. body are described with wonderful ingenuity and

PEELE. truth. The subject was an unhappy one ; and the poem, in spite of its great merit, is seldom or ever lent in bis day, but now forgotten amidst the lam

A writer of pastorals, considered very excelperused. Fletcher also wrote Piscatory Eclogues, ber of antiquity. He was likewise a dramatist of sbort pieces possessing considerable excellence,

some eminence; and for many years, as city poet, and one or two dramatic performances which have had the ordering of the pageants ou lord mayor's no striking recommendation.

day. His life appears to have been spent in a DANIEL.

course of follies and debaucheries of the lowest This author, who was considerable in his own description, which is the more singular, as he was time, both as a poet and historian, was born 1562. educated at Oxford, then the school of every virHis style is remarkably correct, and at once free tue. He wrote, among other dramas, Edward the from bombastical extravagance and meagre un First, 1593 ; and The Loves of King David and meaning simplicity. In Spenser's Colin Clout's Faire Bethsabe, 1599. Come Home Again, he is highly praised, and indeed most of the writers of that age agree in eulo

QUARLES. gizing his productions. He succeeded Spenser

The celebrated author of The Emblems, and in the laureateship. His Philotas, 1605, when , equally remarkable for bis genius and misfortunes. first acted, gave offence, as it was thought the hero

He was educated at Cambridge, where he distinwas drawn from Elizabeth's unfortunate favourite, guished himself by unaffected piety and unassumthe earl of Essex. In this play he treads closely ing talent. For a considerable time he was cupin the steps of the ancients, and has introduced

bearer to the queen of Bohemia, and chronologer choruses between the acts. In his Cleopatra, to Ireland, and became secretary to the truly

to the city of London. Afterwards, he went over 1594, he follows Plutarch's account of that remarkable woman, and has produced a very ex

good and amiable prelate, Usher, archbishop of cellent drama. The dialogue in both instances is Armagh; but the unsettled state of that country extremely poetical.

soon forced him to resign his post, and returning

to England, he closed his earthly career 1644, aged CHETTLE.

52. He was buried in the church of St. Vedast, A DRAMATIST of whom no record remains. In-Poster-lane. Quarles is best known by bis Dideed, the period to which these brief memoirs re vine Emblems, a work once universally popular, fer, abounds with instances of writers who are but now, on account of its obsolete quaintness of only known to have existed by their works. He style, little read, except by a particular class of wrote Hot Anger soon Cold, 1598 ; All is not religionists. He wrote The Virgio Widow, 1619, Gold that Glisters, 1600; Cardinal Wolsey, 1601; a play which has no faults and few merits. Langand various other plays, all distinguished by an baine sums up his character of Quarles in these originality of tone, which we should vainly look words : “He was a poet that mixed religion and for in productions of loftier pretension.

fancy together, and was very careful in all bis BROWNE.

writings not to intrench upon good manners by The praise which Milton has bestowed on this any scurrility in his works, or any ways offending poet, the author of Britannia's Pastorals, entitles against his duty to God, his neighbour, or bimhim to our favourable notice ; and there are such self.” unequivocal evidences of genius in his works, that

NASH. we cannot sufficiently regret, that he should bave An eccentric and unfortunate man of genias, been ejected from his niche in the Temple of Fame whose vices were his worst enemies. After a by any newer candidate for immortality.

restless life, passed in continual alterations from DAY,

want to abundance, he died about 1601, as little A VERY powerful writer, bold and original in Pierce Pennilesse' is written with infinite fire and

lamented in dying, as respected when living. His conception, but rude and uncouth in expression spirit, but seems to breathe the sentiments of a His principal works are, The Bristol Tragedy, 1602, and The Blind Beggar of Bethnal Green, world. Towards the close of bis days, he seems

man in a paroxysm of rage against the whole with The Merry Humour of Tom Strowd, the Norfolk Yeoman, divers times publicly acted by the called Christ's Tears over Jerusalem, he writes

to have repented of his excesses; for in a pamphlet Prince his Servants, 1600.

thus : “A hundred uufortunate farewells to fanDAVENPORT.

tasticall satirisme. In those vaines, heretofore I He is reported to bave written something jointly mispent my spirit, and prodigally conspired with Shakspeare, and his intellectual character against good hours. Nothing is there now so would justly have entitled him to the honour of much in my vowes as to be at peace with all men, such an associate. His comedy of A New Trick and make submissive amends where I have most to Cheat the Devil, abounds with grotesque and displeased. To a little more wit have my increashumorous situations, and bis King Jobn and Ma- | ing yeeres reclaimed mee then I had before ; those tilda abundantly prove his tragic powers.

that have been perverted by any of my workes, FIELD.

let them reade this, and it shall thrice more beneThis poet is supposed to be the same person

fit them. The autumne I imitate, in shedding my whose name appears with those of Burbage, Hem- leaves with the trees, and so doth the peacocke mings and Condell, in the prefatory sheet of the shead his taile.” Nash was peculiarly successfirst folio edition of Shakspeare. He is also men

ful in satire ; in an old copy of verses he is thus tioned in the dramatis personæ prefixed to the spoken of: Cynthia's Revels of Ben Jonson, and seems to

"Sharply satyric was he, and that way
He went, that since his being, to this day,

inflict

for one at Dr. Wright's sale.

Few have aitempted ; and I surely think
Those words shall hardly be set down in ink,

Shall scoreb and blast so as he could when he
Nash composed three plars; among them was
Dido, Queen of Cartbage. Copies of this drama overrated; but the excellencies which they un-
are uncommonly scarce. Malone gave 161. 16s. questionably contained are now as unjustly over-

THOMAS SACKVILLE, LORD BUCK-
ONE of the most illustrioas noblemen of an age
ben titular honours were bestowed, not merely
as nominal distinctioos, but as the best rewards
for great and virtaogs actions. He is mentioned
here on account of his having been concerned in

sion of Loosenesse proffered to the Wanton, quarto,
bl, lett, 1582.

Lyly bas committed many extravagancies in
these productions, and they were, no doubt, much

ison the whole, Lyly's

be considered a failure, on such an occasion even
HURST.

failure was glorious, and entitles him to be remem-
bered with respect.

GREEN.
This highly talented, but most immoral author,
was celebrated, in his day, for a broad and coarse,
but spirited and characteristic vein of humour,

wbich runs through all his productions. His
regular trageds ever performed on the English dramas are very numerous, and many plays are as-
stage. Of this drama, surreptitiously printed under cribed to him on mere supposition ; but he un-
the title of Gorbodac,
1565, and with its present Friar Bongay, 1594; The Comical History of Al-

doubtedly wrote The History of Friar Bacon and
designation 1571, Norton wrote the first three acts,
and Lord Buckburst, then Mr. Sackville, the last phonsas, King of Arragon, 1594; and The Scottishe
10. It was acted by the gentlemen of the Inner Story of James the Fourthe, slaine at Flodden, in-
Temple, at Whitehall, before queen Elizabeth, termixed with a pleasant Comedie presented by
on the 18th of January, 1561, many years prior to

Oberon, King of the Fairies, 1599. of this last
the

appearance of Shakspeare. Sir Philip Syd- play, Shakspeare seems to have made some use in Des in his Defence of Poesie, says,

“ Our trage

his Midsummer Night's Dream.
dies and comedies, not without cause cried out

GASCOIGNE.
against, observing rules neither of bonest civilitie, This author translated The Supposes, from Ari-
nor skilfal poetrie, excepting Gorboduc, which, osto, and Jocasta, from Euripides; besides which,
notwithstanding as it is full of stately speeches, he wrote the Glass of Government, 1566, and,
climbing to the height of Senaca his style, and as The Princely Pleasures of Kenilworth Castle, 1587.
fall of notable moralitie, which it doth most de- The Supposes is among the earliest regular dramas
lightfully teach, and so obtain the very end of produced on our stage ; and Gascoigne, both in
poesie : yet, in truth, it is very defectious in the this translation and his original compositions, has
circumstances; which grieves me, because it displayed very superior endowments.
might not remain an exact model of all tragedies.
For it is faultie both in place and time, the two ne-

GAGER.
cessary companions of all compositions."

A PROFOUNDLY learned man. His composi

tions are in the Latin tongue, and we should not LODGE.

bave noticed him but on account of Anth. a' Wood's A DOCTOR of medicine in great practice towards singular panegyric of his genius :: He was an ex: the end of Elizabeth's reign. He acquired consi-cellent poet, especially in the Latin language, and derable extra-professional" reputation, both as a reported the best comedian of his time, whether

it poet and a wit. His dramatic works are, Wounds

was Edward, earl of Oxford, Will. Rowley, the of Civil War, 1594, and A Looking Glass for Lon

once ornament for wit and ingenuity, of Pembroke des and England, 1594. Judging from these com

Hall in Cambridge, Richard Edwards, John Lylie, positions, the writer seems to have been most hap- Tho. Lodge, Geo. Gascoigne, Will. Shakspeare, prin satire, there is a playful smartness about bis

Tho. Nash, or Jobn Heywood.” In 1608, this same jokes, which is highly agreeable and amusing.

Gager, maintained at Oxford, a thesis, that it was

lawful for husbands to beat their wives; so that his
LYLY.

elaborate Latin dramas have small chance of find.
This author, the most popular writer of his ing favour with the blues of the nineteenth century.
times, was born about 1553. He studied first at
Os ford, but latterly at Cambridge ; being of good

PRESTON.
family
, be followed the court, expecting to be Tragedie, mixed full of pleasant Mirth; contayn-

This person wrote about 1561, A lamentable
benk from attendance on Elizabeth bat disappointing

the Life of Cambises, King of Persia, from the the prime of life, 1597, universally regretted and good Deede of Execution after the many wicked respected. His dramas are nine in number: Alex

Deeds and tirranous Murders committed by and ander and Campaspe, 1584, and Mother Bombie, through

him; and last of all, bis odious Death by
1594, are the best; but his claims on the notice of followeth. Which Shakspeare is supposed to ridi-

God's Justice appointed; doon on such Order as
posterity are referable to the two following works, of
w huch we shall give the titles at length, as he therein cole, when he makes Falstaff talk of speaking in
made the praise-worthy attempt to reform and pu-

king Cambyses’ vein.
rify oor language from the ancoath, barbarous,

WHETSTONE.
and obsolete expressions by which it was then This writer is only known by his Promos and
Over-run:- The Anatomie of Wit, verie pleasant Cassandra, a play of which Sbakspeare has un-
for all Gentlemen to read, and most necessary to doubtedly availed himself in his Measure for Mea-
remember: wberein are contayued the Delyghts sure. It appears that Whetstone first tried his for-
that Wit followeth in his Youih by the pleasant-tone at court, and dissipated his patrimony in vain
nesse of Love, and the Happiness he reapeth in expectation of preferment. Destitute of subsist-
Age by the Perfectnesse of Wisdome, quarto, bl. ence, he became a soldier, and served with so much
leit. 1581.-Eaphaes and his England, containing credit that he was rewarded with additional pay,
bis Vorage and Adventures, mixt with sondrie | Honour, however, is a bad pay-master, and he
prettie Discoarses of honest Love, the Description was compelled to convert his sword into a plough-
of the Countrie, the Coart, and the Manners of share. His farming concerns proved anfortunate,
that Isle, delightfal to be read, and nothing hurt- and in his necessity he tried the generosity of his
fall to be regarded: wherein there is small Offence friends. This he found was “ a broken reed, and
by Lightnesse given to the Wise, and less Occa worse than

common beggary of charity from

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