Voice and Crisis: Invocation in Milton's PoetryArchon Books, 1984 - Počet stran: 130 |
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Strana 14
... present celebration , but the poem " acquires , even in its brief compass , the encyclopedic character prescribed by Renaissance critics . as a feature of epic poetry . " Thus , in a sense , Milton comes into his poetic maturity at the ...
... present celebration , but the poem " acquires , even in its brief compass , the encyclopedic character prescribed by Renaissance critics . as a feature of epic poetry . " Thus , in a sense , Milton comes into his poetic maturity at the ...
Strana 15
... present tense — a labor secured in emphatically temporal terms in the pivotal eighteenth stanza : And then at last our bliss Full and perfet is , But now begins . . · ( 165-67 ) With these lines , a new confidence carries the poem ...
... present tense — a labor secured in emphatically temporal terms in the pivotal eighteenth stanza : And then at last our bliss Full and perfet is , But now begins . . · ( 165-67 ) With these lines , a new confidence carries the poem ...
Strana 91
... present in Satan's speech ( " with no friendly voice " ) ; but Satan , here alone for the first time in the epic drama , presents a weaker version of that self he can project in dialectical discourse or before great audiences . Alone ...
... present in Satan's speech ( " with no friendly voice " ) ; but Satan , here alone for the first time in the epic drama , presents a weaker version of that self he can project in dialectical discourse or before great audiences . Alone ...
Obsah
The Pattern of Invocation in Miltons Poetry | 11 |
Paradise Lost | 45 |
Voice and Crisis | 63 |
Autorská práva | |
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