 | 1798 - 752 str.
...in him, in Гоше meafure, correfpondent fenfations, and make him feel a degree of that ehthufiafm with which the painter was carried away. To this we may add the complete uniformity in all the parts of the work, fo that the whole feems to be conducted, and grow out of one mind ; every thing... | |
 | 1798 - 554 str.
...contrary, feem to flow with a freedom and prodigality, as if tHffy tort him r.othirg j and to the gcthe Painter was carried away. To this we may add the complete uniformity in all the parts of the work, fo that th« whole ieems to be conducted, and grow cut of one mind ; tvsry thing... | |
 | 1798 - 484 str.
...other, the flowing liberty and freedom of his outline, the animated pencil with which evci-y obj.-cl is touched, all contribute to awaken and keep alive the attention of the fpeflator ; awaken in him, in feme mealiire, correipondent ienfations, and make him feel a degree of... | |
 | 1798 - 756 str.
...ether, the flowing liberty -and freedom of his outline, the animated pencil with which every objeft is touched, all contribute to awaken and keep alive the attention of the f peculator . awaken in him, in fomc roeafure, correfpondent fenfations, and make him feel a degree... | |
 | 1800 - 812 str.
...other, the flowing liberty and freedom of his outline, the animated pencil with which every objeft is touched, all contribute to awaken and keep alive the attention of the Spectator i awaken in him, in fome meafure, correfpondent fcnfations, and make him feel a degree of that enthirfiafm... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 str.
...to each other, the flowing liberty and freedom of his outline, the animated pencil with which every object is touched, all contribute to awaken and keep...attention of the spectator;, awaken in him, in some mea6 sure, correspondent sensations, and ^*"*^" make him feel a degree of that enthusiasm with which... | |
 | sir Joshua Reynolds - 1801 - 450 str.
...each other, the flowing liberty . and freedom of his outline, the animated pencil with which every object is touched, all contribute to awaken and keep...attention of the spectator; awaken in him, in some mea6 sure, .correspondent sensations, and C«*IJ!Cmake him feel a degree of that enthusiasm with which... | |
 | 1807 - 454 str.
...flowing liberty and freedom of his outline ; the animated pencil with which every object is touched, keep alive the attention of the spectator ; awaken...a degree of that enthusiasm with which the painter is hurried away. To this we may add, the complete uniformity in all the parts of the work ; so that... | |
 | 1807 - 800 str.
...to each ether, the flowing liberty and freedom of his outline, the animated pencil with which every object is touched, all contribute to awaken and keep alive the attention of the fpectator ; awaken in him, in fome menfure, correspondent fenfations, and make him feel a degree of... | |
 | Sir Joshua Reynolds - 1809 - 442 str.
...to each other, the flowing liberty and freedom of his outline, the animated pencil with which every object is touched, all contribute to awaken and keep...enthusiasm with which the painter Was carried away. To this wd may add the complete uniformity in all the parts of the work, so that the whole seems to be conducted,... | |
| |
... in the execution of the work. The striking brilliancy of his colours, and their lively opposition to each other, the flowing liberty and freedom of his outline, the animated pencil, with which every object is touched, all contribute to awaken and... 
