Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
Vyhledávání v knize
Výsledky 1-5 z 27
Strana 12
... courtship it is the other way round ) and the surrender can be not life - enhancing but ruinous : Do their gay vestments his affections bait ? That's not my fault ; he's master of my state . What ruins are in me that can be found Not by ...
... courtship it is the other way round ) and the surrender can be not life - enhancing but ruinous : Do their gay vestments his affections bait ? That's not my fault ; he's master of my state . What ruins are in me that can be found Not by ...
Strana 23
... courtship , in which wealth becomes the deciding factor ( III . i . 293-360 ) , reminds us of the practical side of marriage , hardly touched on by the lovers ; and he reminds us too , as they do not , of the practical side of love ...
... courtship , in which wealth becomes the deciding factor ( III . i . 293-360 ) , reminds us of the practical side of marriage , hardly touched on by the lovers ; and he reminds us too , as they do not , of the practical side of love ...
Strana 26
... courting a lady makes him sound like a very clever , worldly wise young man ; but gradu- ally , as the Duke turns the conversation towards the subject of rope ladders , we realize how much the glib - sounding lecture is actually being ...
... courting a lady makes him sound like a very clever , worldly wise young man ; but gradu- ally , as the Duke turns the conversation towards the subject of rope ladders , we realize how much the glib - sounding lecture is actually being ...
Strana 36
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 47
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision