Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
Vyhledávání v knize
Výsledky 1-5 z 17
Strana 10
... dramatic idiom within the play . This can lead in a variety of directions : to discussions not so much of theme , character or archetypal pattern , as of how thematic interests are qualified by other factors ; how different kinds of ...
... dramatic idiom within the play . This can lead in a variety of directions : to discussions not so much of theme , character or archetypal pattern , as of how thematic interests are qualified by other factors ; how different kinds of ...
Strana 11
... dramatic idiom . The market - place atmosphere of Plautus is still present , but it no longer monopolizes the play ... dramatic styles are ultimately a reflection . Nor is the decision to mix idioms in this way artificially imposed ; it ...
... dramatic idiom . The market - place atmosphere of Plautus is still present , but it no longer monopolizes the play ... dramatic styles are ultimately a reflection . Nor is the decision to mix idioms in this way artificially imposed ; it ...
Strana 117
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 119
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 121
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision