Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
Vyhledávání v knize
Strana 11
... eye , Dark - working sorcerers that change the mind , Soul - killing witches that deform the body , Disguised cheaters , prating mountebanks , And many such - like liberties of sin . ( I. ii . 97-102 ) The sleight of hand that deceives ...
... eye , Dark - working sorcerers that change the mind , Soul - killing witches that deform the body , Disguised cheaters , prating mountebanks , And many such - like liberties of sin . ( I. ii . 97-102 ) The sleight of hand that deceives ...
Strana 11
... eye , I'll weep what's left away , and weeping die . Luciana : How many fond fools serve mad jealousy ! ( II . i . 114-16 ) The triple rhyme clinches the point : Adriana is not even allowed the neat finality of a concluding couplet ...
... eye , I'll weep what's left away , and weeping die . Luciana : How many fond fools serve mad jealousy ! ( II . i . 114-16 ) The triple rhyme clinches the point : Adriana is not even allowed the neat finality of a concluding couplet ...
Strana 11
... eyes of the outsiders , for they are given • There is a similar silence at the end of Measure for Measure , when Isabella says nothing to Claudio , and is given no chance to reply to the Duke's proposal of marriage . 7 See R. A. Foakes ...
... eyes of the outsiders , for they are given • There is a similar silence at the end of Measure for Measure , when Isabella says nothing to Claudio , and is given no chance to reply to the Duke's proposal of marriage . 7 See R. A. Foakes ...
Strana 13
... eye's clear eye , my dear heart's dearer heart ' ( II . ii . 61-2 ) , Dromio enters , fleeing in panic from the fat kitchen wench , and exclaiming , ' Do you know me , sir ? Am I Dromio ? Am I your man ? Am I myself ? . . . I am an ass ...
... eye's clear eye , my dear heart's dearer heart ' ( II . ii . 61-2 ) , Dromio enters , fleeing in panic from the fat kitchen wench , and exclaiming , ' Do you know me , sir ? Am I Dromio ? Am I your man ? Am I myself ? . . . I am an ass ...
Strana 23
... eye cannot recognize : Speed : You never saw her since she was deform'd . Valentine : How long hath she been deform'd ? Speed : Ever since you lov'd her . ( II . i . 56-8 ) Love is a chameleon in more than its capacity to feed on air ...
... eye cannot recognize : Speed : You never saw her since she was deform'd . Valentine : How long hath she been deform'd ? Speed : Ever since you lov'd her . ( II . i . 56-8 ) Love is a chameleon in more than its capacity to feed on air ...
Obsah
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision