Milton and the Italian Cities

academies action allowed ancient attended authority Barberini beauty become beginning believe bring brought called Cardinal catharsis century character Christian Church classical coming continued Corneille course criticism death divine drama effect efforts establish evidently example expression faith Florence Francesco friends Galileo human idea imagination imitation important interest Italian Italy kind language learning least letter lives manner matter means meant meetings Milton mind Monteverdi moving Naples nature observe offered opera palace particular passed passions performance perhaps persons piety play poem poetry possible present production reason records religion remarkable Rome Saint Samson Agonistes scene seems seen sense speaking speech spirit stage story suffering Tasso theatre things thought tion tragedy tragic translated true universe Venice writing