The works of Richard Hurd, Svazek 2 |
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Výsledky 1-5 z 28
Strana 8
... present it in the most taking forms ; not to re- flect the real face of things , but to illustrate and adorn it ; not to represent the fairest ob- jects only , but to represent them in the fairest lights , and to heighten all their ...
... present it in the most taking forms ; not to re- flect the real face of things , but to illustrate and adorn it ; not to represent the fairest ob- jects only , but to represent them in the fairest lights , and to heighten all their ...
Strana 10
... present , of these two requisites of universal poetry , namely , that licence of expression , which we call the style of poetry , and that licence of represen tation , which we call fiction . The style is 10 ON THE IDEA OF.
... present , of these two requisites of universal poetry , namely , that licence of expression , which we call the style of poetry , and that licence of represen tation , which we call fiction . The style is 10 ON THE IDEA OF.
Strana 12
... presents , are to the imagina- tion . In process of time , what was at first the extemporaneous production of genius or passion , under the conduct of a natu- ral ear , becomes the labour of the closet , and is conducted by artificial ...
... presents , are to the imagina- tion . In process of time , what was at first the extemporaneous production of genius or passion , under the conduct of a natu- ral ear , becomes the labour of the closet , and is conducted by artificial ...
Strana 38
... present at a course of living action . And this illusion quickens our atten- expression is so put , as if he had been conscious that persons , not actions , were the direct object of comedy , And the quotation , now alledged from ...
... present at a course of living action . And this illusion quickens our atten- expression is so put , as if he had been conscious that persons , not actions , were the direct object of comedy , And the quotation , now alledged from ...
Strana 69
... present case , their autho- rity is , in fact , of no moment . 1 The form of the Greek , from whence the Roman and our drama is taken , though ge- nerally improved by reflexion and just criticism , yet , like so many other great ...
... present case , their autho- rity is , in fact , of no moment . 1 The form of the Greek , from whence the Roman and our drama is taken , though ge- nerally improved by reflexion and just criticism , yet , like so many other great ...
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action admiration Aelian Aeneis affections allusion ancient appear Aristotle authority beauty BISHOP OF WORCESTER character chuses circumstances comedy comic common conclusion copied critic degree delight disposition doth drama draught end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned least Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern moral nature nihil numbers object observation occasion original passion peculiar perhaps periphrasis persons picture plagiarism Plato Plautus pleasure poem poet poet's Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme RICHARD HURD ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil WILLIAM JEPHSON words καὶ
Oblíbené pasáže
Strana 258 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, and riddle of the world!
Strana 247 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Strana 246 - Begin to cast a beam on the outward shape, The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal : but when lust By unchaste looks, loose gestures, and foul talk ; But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Strana 274 - Wisdom's self Oft seeks to sweet retired solitude ; Where, with her best nurse, Contemplation, She plumes her feathers, and lets grow her wings, That in the various bustle of resort Were all too ruffled, and sometimes impair'd. He that has light within his own clear breast, May sit i...
Strana 284 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
Strana 245 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
Strana 292 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Strana 277 - Than reason above beasts before ; Virtue was thy life's centre, and from thence Did silently and constantly dispense The gentle vigorous influence To all the wide and fair circumference...
Strana 258 - When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening
Strana 249 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.