The works of Richard Hurd, Svazek 2 |
Vyhledávání v knize
Výsledky 1-5 z 37
Strana 33
... scene . And , besides , from knowing the personal good , or ill , qualities of the agents , we learn to anticipate their fu- ture felicity or misery , which gives increase to the passion in either case . Our acquaint- ance with IAGO's ...
... scene . And , besides , from knowing the personal good , or ill , qualities of the agents , we learn to anticipate their fu- ture felicity or misery , which gives increase to the passion in either case . Our acquaint- ance with IAGO's ...
Strana 39
... scene does it " by deceiving the man through his senses : Te- " rence and Moliere , by deceiving him through " his passions and affections . This is the " right method : for the character is not called " out under the first species of ...
... scene does it " by deceiving the man through his senses : Te- " rence and Moliere , by deceiving him through " his passions and affections . This is the " right method : for the character is not called " out under the first species of ...
Strana 43
... scene as in this want of simplicity in the construction of its fable . The good sense of the author of the History of the Italian Theatre ( who , though a mere player , appears to have had juster notions of the drama , than the ...
... scene as in this want of simplicity in the construction of its fable . The good sense of the author of the History of the Italian Theatre ( who , though a mere player , appears to have had juster notions of the drama , than the ...
Strana 45
... scene ; as may be emi- nently illustrated in the two comedies of Fletcher , called The Little French Lawyer , and The Spanish Curate . The nice contexture of the fable therefore , though it may give a pleasure of another kind , is not ...
... scene ; as may be emi- nently illustrated in the two comedies of Fletcher , called The Little French Lawyer , and The Spanish Curate . The nice contexture of the fable therefore , though it may give a pleasure of another kind , is not ...
Strana 50
... scene being to deli- neate characters , this end , I suppose , will be attained most perfectly , by making those cha- racters as universal as possible . For thus the person shewn in the drama being the repre- sentative of all characters ...
... scene being to deli- neate characters , this end , I suppose , will be attained most perfectly , by making those cha- racters as universal as possible . For thus the person shewn in the drama being the repre- sentative of all characters ...
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action admiration Aelian Aeneis affections allusion ancient appear Aristotle authority beauty BISHOP OF WORCESTER character chuses circumstances comedy comic common conclusion copied critic degree delight disposition doth drama draught end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned least Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern moral nature nihil numbers object observation occasion original passion peculiar perhaps periphrasis persons picture plagiarism Plato Plautus pleasure poem poet poet's Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme RICHARD HURD ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil WILLIAM JEPHSON words καὶ
Oblíbené pasáže
Strana 258 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, and riddle of the world!
Strana 247 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Strana 246 - Begin to cast a beam on the outward shape, The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal : but when lust By unchaste looks, loose gestures, and foul talk ; But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Strana 274 - Wisdom's self Oft seeks to sweet retired solitude ; Where, with her best nurse, Contemplation, She plumes her feathers, and lets grow her wings, That in the various bustle of resort Were all too ruffled, and sometimes impair'd. He that has light within his own clear breast, May sit i...
Strana 284 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
Strana 245 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
Strana 292 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Strana 277 - Than reason above beasts before ; Virtue was thy life's centre, and from thence Did silently and constantly dispense The gentle vigorous influence To all the wide and fair circumference...
Strana 258 - When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening
Strana 249 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.