Mockery in Spanish Golden Age Literature: Analysis of Burlesque RepresentationUniversity Press of America, 1996 - Počet stran: 214 Mockery in Spanish Golden Age Literature takes a ground-breaking look at seriousness and comicality by investigating burlesque mockery in a variety of 'high' and 'low' style genres produced by major writers like Miguel de Cervantes, Luis de G'ongora, Francisco de Quevedo and Salas Barbadillo during the Spanish Baroque. Examination of the foundations of burlesque mockery in sonnets, romances, theatrical interludes and Don Quixote opens ways of solving problems concerning burlesque laughter. This systematic investigation of burlesque mockery in the Spanish Golden Age addresses certain theoretical and historical issues of evaluation by presenting practical expositions of representative examples of the burlesque mode thereby exposing both burlesque mockery and the controversy that surrounds it. |
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Strana 91
... expectations of many upstarts who -- through deception -- want to get ahead ) . The humorous disposition is also a constant of these burlesque poems . These poems are laughing matters . The surface burlesque is often lively , attractive ...
... expectations of many upstarts who -- through deception -- want to get ahead ) . The humorous disposition is also a constant of these burlesque poems . These poems are laughing matters . The surface burlesque is often lively , attractive ...
Strana 102
... expectations for interludes were different than those reserved for the comedia . The interlude did not aspire to more than " un pasatiempo popular , esparcimiento breve entre dos emociones nobles " ( Asensio 7 ) . Asensio suggested that ...
... expectations for interludes were different than those reserved for the comedia . The interlude did not aspire to more than " un pasatiempo popular , esparcimiento breve entre dos emociones nobles " ( Asensio 7 ) . Asensio suggested that ...
Strana 103
... expectations for an interlude was then , necessarily , low , and thus different than those of the more noble plays which sandwiched them into fifteen minutes or so . The low expectations for interludes could probably be gauged by the ...
... expectations for an interlude was then , necessarily , low , and thus different than those of the more noble plays which sandwiched them into fifteen minutes or so . The low expectations for interludes could probably be gauged by the ...
Obsah
Burlesque Modes of Representing | 13 |
STRATEGIES TOWARD | 27 |
Toward a History of Burlesque | 40 |
Autorská práva | |
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Mockery in Spanish Golden Age Literature: Analysis of Burlesque Representation Kimberly Elizabeth Contag Náhled není k dispozici. - 1996 |
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absurd ambiguous amusing Analysis of Burlesque Anselmo Autoridades behavior Benengeli burla burlesco burlesque imitation burlesque mockery burlesque mode burlesque narrative Burlesque Representation burlesque sonnets burlesque texts caballero Camila caricature Cervantes Cervantes's Don Quixote Chanfalla chivalric romances Cide Hamete Comedy comicality common concerning contemporary counterfeit critical cultural Curioso Impertinente discourse distortion Dolorida Don Quixote Dueña entertaining entremés Entremeses example festive literature fiction frivolous funny Góngora's grotesque highlights hilarious historical hoax humorous disposition ideals ideology illusion interlude interpretations jesting jokes la Mancha laugh laughable laughter literary Lotario Luis de Góngora mad hidalgo madman Madrid Mancha Maritornes marriage mock-heroic mocked mode of representation modern moral narrator notions novel patterns Pyramus and Thisbe Quevedo Quixote's readers reading reality relationship Retablo ridiculous Sancho Panza satire serious seventeenth century sexual situation sonnet Spadaccini Spain Spaniards Spanish Golden Age spectators story storyteller tale techniques theatrical traditional tragic travesty Valladolid writers
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