Melville and the Politics of Identity: From King Lear to Moby-Dick

Ahab Ahab's American appearance argues become beginning blackness calls cause chapter characters claim comes conception consciousness constitutive continuing Cordelia criticism culture darkness detail Edgar Edmund equal essay ethics evil example existence eyes face fact fair play faith feel finally fortune give hand Hawthorne heart historical Hobbes Hobbes's Hobbesian human ideas identity ideological imagination Independence individual intellect Ishmael justice King Lear knowledge Lear's less letter lines live Locke Locke's Lockean look Macbeth markings meaning Melville Melville's mind Moby-Dick nature once passage philosophical play political possibility present Press principle produced Queequeg question reason reflection relation respect response says seems seen sensation sense Shakespeare side-lined society sometimes speech spirit stands Starbuck suggested symbol theory things thou thought tion truth turn University values vision whale writers York