100 Shakespeare FilmsBritish Film Institute, 23. 1. 2007 - Počet stran: 298 From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of "The Tempest" (1907) to Kenneth Branagh's "As You Like It" (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's "Henry V" and "Hamlet", Welles' "Othello" and "Chimes at Midnight", Branagh's "Henry V" and "Hamlet", Luhrmann's "Romeo + Juliet" and Taymor's "Titus". Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming "Macbeth" into a pistol-packing gangster ("Joe Macbeth" and "Maqbool") or reimagining "Othello" as a jazz musician ("All Night Long"). There are Shakesepeare-based Westerns ("Broken Lance", "King of Texas"), musicals ("West Side Story", "Kiss Me Kate"), high-school comedies ("10 Things I Hate About You", "She's the Man"), even a sci-fi adventure ("Forbidden Planet"). There are also films dominated by the performance of a Shakespearean play ("In the Bleak Midwinter", "Shakespeare in Love"). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's "Throne of Blood and Ran", Grigori Kozintsev's "Russian Hamlet" and "King Lear", and little-known features from as far afield as "Madagascar" and "Venezuela", some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts. |
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Strana 59
... Bardolph , Pistol and Nym , mourn the death of their beloved friend , Sir John Falstaff , at the Boar's Head Tavern . The three men and a boy , Robin , join the army and in France are caught up in the siege of Harfleur , where the brave ...
... Bardolph , Pistol and Nym , mourn the death of their beloved friend , Sir John Falstaff , at the Boar's Head Tavern . The three men and a boy , Robin , join the army and in France are caught up in the siege of Harfleur , where the brave ...
Strana 63
... Bardolph's execution , no order from Henry that ' every soldier kill his prisoners ' . - Yet this sanitised , Technicolor vision of war must have stirred its 1944 audiences – all with relatives , friends or acquaintances in the armed ...
... Bardolph's execution , no order from Henry that ' every soldier kill his prisoners ' . - Yet this sanitised , Technicolor vision of war must have stirred its 1944 audiences – all with relatives , friends or acquaintances in the armed ...
Strana 64
... Bardolph stands on a cart in tattered clothes , blood streaked across his bulbous nose and a noose around his neck . A brief flashback to Henry IV , Part 1 , shows him boozing with Henry and Falstaff at the Boar's Head . Then , close to ...
... Bardolph stands on a cart in tattered clothes , blood streaked across his bulbous nose and a noose around his neck . A brief flashback to Henry IV , Part 1 , shows him boozing with Henry and Falstaff at the Boar's Head . Then , close to ...
Obsah
ANTONY AND CLEOPATRA play synopsis | 1 |
As You Like It Christine Edzard 1992 | 8 |
The Boys from Syracuse A Edward Sutherland 1940 | 14 |
Autorská práva | |
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