Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - Počet stran: 377 |
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Výsledky 1-3 z 90
Strana 114
... Don't read too quickly . Take your time . Hold the script at eye level and to one side of your face to avoid masking your face . Don't attempt to physically ' act out ' the part . Speak conversationally . It's nigh impossible to produce ...
... Don't read too quickly . Take your time . Hold the script at eye level and to one side of your face to avoid masking your face . Don't attempt to physically ' act out ' the part . Speak conversationally . It's nigh impossible to produce ...
Strana 371
... Don't make a first - class ass of yourself . In this way , you'll have nothing to be nervous about . 37. HELPFUL ... Don't ' mug ' to indicate feelings . • Don't get ' hung up ' on dialogue delivery . Speak conversationally . • The ...
... Don't make a first - class ass of yourself . In this way , you'll have nothing to be nervous about . 37. HELPFUL ... Don't ' mug ' to indicate feelings . • Don't get ' hung up ' on dialogue delivery . Speak conversationally . • The ...
Strana 373
... Don't force emotion- playing . Allow the camera to capture your feelings . Don't give a stage performance for the camera . Adjust for the closeness of the camera . 5 : Switch on to the other players in the scene when the director calls ...
... Don't force emotion- playing . Allow the camera to capture your feelings . Don't give a stage performance for the camera . Adjust for the closeness of the camera . 5 : Switch on to the other players in the scene when the director calls ...
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ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer