Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - Počet stran: 377 |
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Výsledky 1-3 z 70
Strana 207
... allow the head to droop when seated . POOR SITTING POSITION : Don't drop into a chair allowing the body to slump , the spine to curve . Don't allow the legs to sprawl too far forward . If seated on a sofa , keep the body straight , sit ...
... allow the head to droop when seated . POOR SITTING POSITION : Don't drop into a chair allowing the body to slump , the spine to curve . Don't allow the legs to sprawl too far forward . If seated on a sofa , keep the body straight , sit ...
Strana 351
... allow the eyes to dart about or to blink excessively . Move the eyes slowly and blink normally or occasionally . In moments of fear , the eyes widen ai.d become fixed . Michael Caine , who confesses his screen idol is Humphrey Bogart ...
... allow the eyes to dart about or to blink excessively . Move the eyes slowly and blink normally or occasionally . In moments of fear , the eyes widen ai.d become fixed . Michael Caine , who confesses his screen idol is Humphrey Bogart ...
Strana 357
... allow less than perfect acting to pass if they are running behind schedule . To counter this , some actors purposely ' blow ' lines to force a director to do a retake . Ralph Bellamy said he learned very early in his career how to ruin ...
... allow less than perfect acting to pass if they are running behind schedule . To counter this , some actors purposely ' blow ' lines to force a director to do a retake . Ralph Bellamy said he learned very early in his career how to ruin ...
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ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer