Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - Počet stran: 377 |
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Strana 80
... directions . from a director or appointment times and dates from an agent . When the mind is disciplined to accurate listening , it is able to absorb all that it receives . When the message , the command , the direction is understood ...
... directions . from a director or appointment times and dates from an agent . When the mind is disciplined to accurate listening , it is able to absorb all that it receives . When the message , the command , the direction is understood ...
Strana 272
... direction relevant to the direction of the story and characters . He attempts to discover ' an involvement with life ' and to find ' the human side ' of the various characters he portrays , otherwise they are likely to turn out one ...
... direction relevant to the direction of the story and characters . He attempts to discover ' an involvement with life ' and to find ' the human side ' of the various characters he portrays , otherwise they are likely to turn out one ...
Strana 340
... direction of look and use of hand props . He was amazing , ' Foster said . Actors can help the director and the continuity person by remembering marks , whether a jacket is on or off , the direction of a look and the position and ...
... direction of look and use of hand props . He was amazing , ' Foster said . Actors can help the director and the continuity person by remembering marks , whether a jacket is on or off , the direction of a look and the position and ...
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ability achieve acting action actor agent allow appear attention attitudes audience become begin believe body breathing bring called camera career casting character character's close communication confidence conscious create creative desire develop dialogue direction director discover Don't drama effective emotions energy establish experience expression eyes face fear feelings film gesture give goals hands he/she head Hollywood human ideas important impression interesting interview Keep knowledge lines listen live look material meaning mental mind motivated move movement natural needs objectives performance personality physical picture players playing position possible practice preparation presentation producer professional projection record requires response reveal role scene screen script sense shot sound speak speech stage stars story subconscious success talent technique television theatre things thoughts understanding voice writer