Screen Acting: How to Succeed in Motion Pictures and TelevisionLone Eagle, 1987 - Počet stran: 377 |
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Výsledky 1-3 z 66
Strana 136
... he / she knows what to do and how to do it . 2. FOUR POINTS ON ACTING THEORY TO APPLY The value of applied theory is evident in the four points which emerge from the analysis of the word itself , for they present a positive means to ...
... he / she knows what to do and how to do it . 2. FOUR POINTS ON ACTING THEORY TO APPLY The value of applied theory is evident in the four points which emerge from the analysis of the word itself , for they present a positive means to ...
Strana 310
... he / she thinks and feels and why . As already mentioned , information of this kind is to be found within the character's assigned lines . Keep in mind that fictional characters , like real people , strike attitudes which motivate ...
... he / she thinks and feels and why . As already mentioned , information of this kind is to be found within the character's assigned lines . Keep in mind that fictional characters , like real people , strike attitudes which motivate ...
Strana 338
... he / she uses the actors and the camera to translate the work of the writer . The use of long shots , medium shots , close - ups , cut - ins , cut - aways , moving shots , various camera angles , the blocking of actors to give variety ...
... he / she uses the actors and the camera to translate the work of the writer . The use of long shots , medium shots , close - ups , cut - ins , cut - aways , moving shots , various camera angles , the blocking of actors to give variety ...
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ability achieve acting actor needs actress agent Alan Ladd angle attention attitudes audience become body Bogart Brando breathing Brian Adams bring camera career Cary Grant casting directors character's client close-up comedy confidence conscious consonants Constantin Stanislavski create creative desire develop dialogue drama dress emotions energy expression eyes fear film gesture give goals Grundy Television he/she his/her Hollywood human Humphrey Bogart IDEAS TO REVIEW impression instrument interview John Gielgud Kirk Douglas Laurence Olivier lines listen look Marlon Brando meaning mental motion picture motivated move movement objectives pause performance personality Peter Sellers physical players playing position posture presentation producer projection pronunciation relaxed requires rhythm role scene screen actor screenplay script shot SLADE sound speak stage character Stanislavski stardom story success SUMMARY OF IDEAS talent technique television theatre things tone Torvill and Dean understanding Vincent Price vocal vowel words writer