Poetic Origins and the BalladMacmillan, 1921 - Počet stran: 247 |
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Strana 1
... character and author- ship . There is the familiar primitive " horde , " engaged in festal singing , without onlookers . Yet instead of col- 1 The Study of Indian Music . Reprinted from the Proceedings of the National Academy of ...
... character and author- ship . There is the familiar primitive " horde , " engaged in festal singing , without onlookers . Yet instead of col- 1 The Study of Indian Music . Reprinted from the Proceedings of the National Academy of ...
Strana 8
... character of their life — establishing a type of balladry superior to , and having more vitality than , anything of ing multitude - - all singing , all dancing , and all able on occasion to improvise is a fact of primitive poetry about ...
... character of their life — establishing a type of balladry superior to , and having more vitality than , anything of ing multitude - - all singing , all dancing , and all able on occasion to improvise is a fact of primitive poetry about ...
Strana 12
... character of primitive song ; the non - existence of the prim- itive artist . Far from certain , also , is the hypothesis of the birth of rhythmic or musical utterance from rhythmic action , if this be conceived as a form of limb or ...
... character of primitive song ; the non - existence of the prim- itive artist . Far from certain , also , is the hypothesis of the birth of rhythmic or musical utterance from rhythmic action , if this be conceived as a form of limb or ...
Strana 26
... character : " The leaf that calls my lover when tied in my girdle " ( Indian girl's song ) ; “ I have my arrows ready and wish to kill you " ; " Now no one can say I am not a warrior . I return victorious from the battle " ; " I go to ...
... character : " The leaf that calls my lover when tied in my girdle " ( Indian girl's song ) ; “ I have my arrows ready and wish to kill you " ; " Now no one can say I am not a warrior . I return victorious from the battle " ; " I go to ...
Strana 31
... character . They may refer to some symbol , may suggest the conception or the teaching the symbol stands for , rarely more than that . Vocables are frequently added to the word or words to eke out the musical measure . It sometimes ...
... character . They may refer to some symbol , may suggest the conception or the teaching the symbol stands for , rarely more than that . Vocables are frequently added to the word or words to eke out the musical measure . It sometimes ...
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Alphonso Smith American Folk-Lore aristocratic authorship ballad style ballad texts balladry carols century characteristic Child ballads Child pieces Child type Chippewa choral cited communal composed composition Cowboy Songs currency dance songs dance-song Danish dialogue E. K. Chambers earliest early English and Scottish English ballads epic evidence example F. J. Child Faroe festal folk-song genuine History of English improvisation incremental repetition individual Joe Stecher Journal of American Judas King Estmere lady later literary Lomax Lord Randal lyric type lyric-epic manuscript material medieval melody Middle Ages minstrel modern narrative songs negro Old World older oral origin peasant play-party poem poetic popular song preserved primitive poetry primitive song Professor Gummere recited refrain religious Robin Hood romance Scottish ballads Scottish Popular Ballads singers singing Sioux Music Sir Patrick Spens situation songs stanzas story sung tell testimony Thomas Rymer tion tive traditional ballads tribes unlettered usage verse words
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Strana 58 - The mulberry bush, the mulberry bush. Here we go 'round the mulberry bush So early in the morning.
Strana 222 - I went to the boss to draw my roll, He had it figgered out I was nine dollars in the hole. I'll sell my outfit just as soon as I can, I won't punch cattle for no damned man. Goin' back to town to draw my money, Goin
Strana 176 - Lully, lulley Lully, lulley, lully, lulley, The faucon hath borne my make away. He bare him up, he bare him down, He bare him into an orchard brown. In that orchard there was an hall, That was hanged with purple and pall.
Strana 112 - And what wul ye leive to your ain mither deir, Edward, Edward ? And what wul ye leive to your ain mither deir ? My deir son, now tell me O." " The curse of hell f rae me sail ye beir, Mither, mither, The curse of hell frae me sail ye beir, Sic counseils ye gave to me O.
Strana 112 - Your steid was auld, and ye hae gat mair, Edward, Edward, Your steid was auld, and ye hae gat mair, Sum other dule- ye drie O.
Strana 90 - John Nichols, Illustrations of the Literary History of the Eighteenth Century, vol.
Strana 112 - Why dois your brand sae drap wi bluid, Edward, Edward? Why dois your brand sae drap wi bluid, And why sae sad gang yee O?' 'OI hae killed my hauke sae guid, Mither, mither, OI hae killed my hauke sae guid, And I had nae mair bot hee O.' 'Your haukis bluid was nevir sae reid, Edward, Edward, Your haukis bluid was nevir sae reid, My deir son, I tell thee O.
Strana 235 - Ballads sprang from the very heart of the people, and flit from age to age, from lip to lip of shepherds, peasants, nurses, of all the class that continues nearest to the state of natural men.
Strana 216 - there is something very curious in the reproduction here on this new continent of essentially the conditions of balladgrowth which obtained in mediaeval England.
Strana 203 - What time the noble LOVEWELL came, With fifty men from Dunstable, The cruel Pequa'tt tribe to tame, With arms and bloodshed terrible.