Poetic Origins and the BalladMacmillan, 1921 - Počet stran: 247 |
Vyhledávání v knize
Výsledky 1-5 z 37
Strana 14
... composed in dreams , " and it is readily understood that the man who sought a dream desired power superior to that he possessed . A song usually came to a man in his " dream " ; he sang this song in the time of danger or necessity in ...
... composed in dreams , " and it is readily understood that the man who sought a dream desired power superior to that he possessed . A song usually came to a man in his " dream " ; he sang this song in the time of danger or necessity in ...
Strana 17
... composed in his honor . When a favorable decision was given , the task of composing the song devolved upon some man with musical talent . It has happened that the name of a man long dead has given place in a popular song to that of a ...
... composed in his honor . When a favorable decision was given , the task of composing the song devolved upon some man with musical talent . It has happened that the name of a man long dead has given place in a popular song to that of a ...
Strana 19
... composed this song himself when he was a child . The circumstances were as follows : His mother had gone to a neighbor's , leaving him alone in the wigwam . He became very much afraid of the owl , which is the particular terror of all ...
... composed this song himself when he was a child . The circumstances were as follows : His mother had gone to a neighbor's , leaving him alone in the wigwam . He became very much afraid of the owl , which is the particular terror of all ...
Strana 20
... composed and the rhythm created by the sick man himself.31 There are many instances of individual artistry among the Australians : " The makers of Australian songs , or of the combined songs and dances , are the poets , or bards , of ...
... composed and the rhythm created by the sick man himself.31 There are many instances of individual artistry among the Australians : " The makers of Australian songs , or of the combined songs and dances , are the poets , or bards , of ...
Strana 21
Louise Pound. 33 We ' - ton song here given was composed by a Dakota woman . It is said that the following [ Chippewa ] song was composed and sung on the field of battle by a woman named Omiskwa'- wegijigo'kwe ( " woman of the red sky ...
Louise Pound. 33 We ' - ton song here given was composed by a Dakota woman . It is said that the following [ Chippewa ] song was composed and sung on the field of battle by a woman named Omiskwa'- wegijigo'kwe ( " woman of the red sky ...
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Alphonso Smith American Folk-Lore aristocratic authorship ballad style ballad texts balladry carols century characteristic Child ballads Child pieces Child type Chippewa choral cited communal composed composition Cowboy Songs currency dance songs dance-song Danish dialogue E. K. Chambers earliest early English and Scottish English ballads epic evidence example F. J. Child Faroe festal folk-song genuine History of English improvisation incremental repetition individual Joe Stecher Journal of American Judas King Estmere lady later literary Lomax Lord Randal lyric type lyric-epic manuscript material medieval melody Middle Ages minstrel modern narrative songs negro Old World older oral origin peasant play-party poem poetic popular song preserved primitive poetry primitive song Professor Gummere recited refrain religious Robin Hood romance Scottish ballads Scottish Popular Ballads singers singing Sioux Music Sir Patrick Spens situation songs stanzas story sung tell testimony Thomas Rymer tion tive traditional ballads tribes unlettered usage verse words
Oblíbené pasáže
Strana 58 - The mulberry bush, the mulberry bush. Here we go 'round the mulberry bush So early in the morning.
Strana 222 - I went to the boss to draw my roll, He had it figgered out I was nine dollars in the hole. I'll sell my outfit just as soon as I can, I won't punch cattle for no damned man. Goin' back to town to draw my money, Goin
Strana 176 - Lully, lulley Lully, lulley, lully, lulley, The faucon hath borne my make away. He bare him up, he bare him down, He bare him into an orchard brown. In that orchard there was an hall, That was hanged with purple and pall.
Strana 112 - And what wul ye leive to your ain mither deir, Edward, Edward ? And what wul ye leive to your ain mither deir ? My deir son, now tell me O." " The curse of hell f rae me sail ye beir, Mither, mither, The curse of hell frae me sail ye beir, Sic counseils ye gave to me O.
Strana 112 - Your steid was auld, and ye hae gat mair, Edward, Edward, Your steid was auld, and ye hae gat mair, Sum other dule- ye drie O.
Strana 90 - John Nichols, Illustrations of the Literary History of the Eighteenth Century, vol.
Strana 112 - Why dois your brand sae drap wi bluid, Edward, Edward? Why dois your brand sae drap wi bluid, And why sae sad gang yee O?' 'OI hae killed my hauke sae guid, Mither, mither, OI hae killed my hauke sae guid, And I had nae mair bot hee O.' 'Your haukis bluid was nevir sae reid, Edward, Edward, Your haukis bluid was nevir sae reid, My deir son, I tell thee O.
Strana 235 - Ballads sprang from the very heart of the people, and flit from age to age, from lip to lip of shepherds, peasants, nurses, of all the class that continues nearest to the state of natural men.
Strana 216 - there is something very curious in the reproduction here on this new continent of essentially the conditions of balladgrowth which obtained in mediaeval England.
Strana 203 - What time the noble LOVEWELL came, With fifty men from Dunstable, The cruel Pequa'tt tribe to tame, With arms and bloodshed terrible.