Shakespeare, Our ContemporaryAnchor Books, 1966 - Počet stran: 372 The best, the most alive, radical book about Shakespeare in at least a generation. |
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Strana 87
... means in this play the intention and planning of murder . Terror means the memory of murders that have been committed and fear of new crimes that are in- evitable . The great and true murder , with which history begins , is the murder ...
... means in this play the intention and planning of murder . Terror means the memory of murders that have been committed and fear of new crimes that are in- evitable . The great and true murder , with which history begins , is the murder ...
Strana 91
... means that the experience of killing cannot be communicated , just as the experience of the sexual act cannot be conveyed . But this sentence means also that the act of killing changes the person who has performed it ; from then on he ...
... means that the experience of killing cannot be communicated , just as the experience of the sexual act cannot be conveyed . But this sentence means also that the act of killing changes the person who has performed it ; from then on he ...
Strana 94
... mean accepting nightmare for reality , to admit that there is nothing but nightmare , that night is not fol- lowed by ... means to escape , to live in another world where : Rebellion's head rise never · • • and our high - plac'd Macbeth ...
... mean accepting nightmare for reality , to admit that there is nothing but nightmare , that night is not fol- lowed by ... means to escape , to live in another world where : Rebellion's head rise never · • • and our high - plac'd Macbeth ...
Obsah
MODERN | 75 |
CONTRADICTIONS | 179 |
TITANIA AND THE ASSS HEAD | 213 |
Autorská práva | |
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actors androgyny animal Antony and Cleopatra Arcadia Ariel assassins become bitter blind Caliban characters clown comedy Coriolanus Coriolanus's Cressida crown cruel cruelty death Desdemona disguise drama Dream Duke earth Elizabethan eroticism ESTRAGON everything eyes face fate feudal fool Forest of Arden Fortinbras Ganymede gestures girl Gloucester gods Grand Mechanism grotesque Hamlet Hastings hate head heaven Henry Hermia hero human Iago Illyria island Jan Kott kill King Lear Kott Lady Anne Leonardo look lord lovers Macbeth madness Marcius means modern moral murder nature noble Orlando Othello passion patricians performed philosophical play plebeians Plutarch Prince Prospero Puck Renaissance Richard Richard III Roman Rome Rosalind royal scene Shake Shakespeare sleep soliloquy Sonnets speare speare's stage Tempest theatre thee theme thou throne tion Titania Titus tragedy tragic trans Troilus Troilus and Cressida turn Twelfth Night Viola young youth