The Loves of Shakespeare's WomenNick Hern Books, 2001 - Počet stran: 112 Here are the famous speeches from Juliet--"Come, night! Come, Romeo!"--and from Portia--"The quality of mercy..."--but also less familiar ones from Viola, Hermia, Isabella and Cressida. These younger characters make up the first half of the book, while the second half is devoted to maturer women like Lady Macbeth--"How tender 'tis to love the babe that milks me"--Gertrude, Mistress Quickly, Cleopatra and Queen Katherine. |
Vyhledávání v knize
Výsledky 1-5 z 14
Strana
... kind of love , love of family or friend , of God , of country , even love of an abstract ideal ... So here are well - known speeches - such as Juliet's ' Come night ! Come Romeo ! " and Portia's " The quality of mercy is not strained ...
... kind of love , love of family or friend , of God , of country , even love of an abstract ideal ... So here are well - known speeches - such as Juliet's ' Come night ! Come Romeo ! " and Portia's " The quality of mercy is not strained ...
Strana 4
... kind in any medium may take place without prior permission in writing having been sought and obtained . This includes readings and excerpts . Professionals and amateurs throughout the world wishing to perform The Loves of Shakespeare's ...
... kind in any medium may take place without prior permission in writing having been sought and obtained . This includes readings and excerpts . Professionals and amateurs throughout the world wishing to perform The Loves of Shakespeare's ...
Strana 12
... kind of limbo exists , time off , time to be yourself , not somebody's something , mother or daughter or mate ; you're at a brief remove from home - tasks , family , friends , even sometimes a telephone . The flip side of touring is ...
... kind of limbo exists , time off , time to be yourself , not somebody's something , mother or daughter or mate ; you're at a brief remove from home - tasks , family , friends , even sometimes a telephone . The flip side of touring is ...
Strana 31
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Strana 43
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Obsah
II | 29 |
V | 33 |
VI | 35 |
VIII | 38 |
X | 40 |
XII | 48 |
XIII | 51 |
XV | 52 |
XXI | 61 |
XXII | 65 |
XXIII | 66 |
XXIV | 68 |
XXV | 70 |
XXVI | 72 |
XXVIII | 75 |
XXX | 78 |
Běžně se vyskytující výrazy a sousloví
actor Antony Beatrice beauty betray blood Boney Budapest Celia child Cleopatra Constance Coriolanus Countess of Roussillon Cressida cross-dressing crown daughter death doth Emilia epilogue false Falstaff favour Feri Festival Ford Georgian Gertrude give grief Hamlet hand hate hath heart heaven Helena Henry Hermia honour Hungarian husband Iago Imogen Isabella Juliet Katalin Katharine Keti Dolidze King La Voix Humaine Lady Macbeth Laszlo lord lover Loves of Shakespeare's Measure for Measure mercy Merry Wives Midsummer Night's Dream Mistress Quickly mother murder never night one-woman show Orlando passionate Peter O'Toole PHEBE Picasso's Women play Portia Puck rehearse Romantic love Romeo Rosalind Royal Shakespeare Company Scene Shakespeare Shakespeare's Women SONNET soul speak stage Susannah York sweet Tbilisi theatre thee thine thou art thou shalt Troilus Troilus and Cressida Viola Volumnia wanted who'd wife woman wooed work-in-progress wouldst young youth