The Album, Svazek 3J. Andrews., 1823 |
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Strana 2
... Greek stage no less admirable as works of genius , than the epic poetry of the first and greatest of bards . While the arts and sciences of our own age have to struggle with the overwhelming tide of opinion and prejudice ; and even in ...
... Greek stage no less admirable as works of genius , than the epic poetry of the first and greatest of bards . While the arts and sciences of our own age have to struggle with the overwhelming tide of opinion and prejudice ; and even in ...
Strana 3
... Greek tragedies . The Electra and Philoctetes of Sophocles , for instance , are , in our judgment , immeasurably beyond many of our mo- dern tragedies , not merely in the beauties of poetry , which are peculiar to no age , but in the ...
... Greek tragedies . The Electra and Philoctetes of Sophocles , for instance , are , in our judgment , immeasurably beyond many of our mo- dern tragedies , not merely in the beauties of poetry , which are peculiar to no age , but in the ...
Strana 4
... Greek language is , of all others , the best calculated to support . The prophetic strain of Cassandra is full of mysterious grandeur , and its very obscurity constitutes one of its most characteristic beauties . If there be any who con ...
... Greek language is , of all others , the best calculated to support . The prophetic strain of Cassandra is full of mysterious grandeur , and its very obscurity constitutes one of its most characteristic beauties . If there be any who con ...
Strana 5
... very brief examination of the Greek stage , we should be inclined to pronounce , that although sim- plicity is their distinguishing excellence , the ancients , even in the refinements of the drama , had made ON ANCIENT AND MODERN TRAGEDY .
... very brief examination of the Greek stage , we should be inclined to pronounce , that although sim- plicity is their distinguishing excellence , the ancients , even in the refinements of the drama , had made ON ANCIENT AND MODERN TRAGEDY .
Strana 6
... Greek tragedies . The French tragedy forms a connecting link between the simplicity of the Greek , and the variety of the Eng- lish , stage ; but , allowing for all prejudices , classical and national , we must still be allowed to ...
... Greek tragedies . The French tragedy forms a connecting link between the simplicity of the Greek , and the variety of the Eng- lish , stage ; but , allowing for all prejudices , classical and national , we must still be allowed to ...
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Adam Blair admirable Æschylus Ali Pacha ancient Angels Apis appeared arms beautiful body called Captain Franklin Catline character Charles Kemble colour composite order death delight dramatic effect expression eyes Faulconbridge Faust feeling feet fire Fort Chipewyan genius Gibeah give Glenoe Græme Greeks hand happiness head heard heart heaven Hepburn honour Hood human imagination inches Indians language less lips living look Lord Lord Byron Lucy manner means ment Meph Mephistopheles mind Morea Mussulmen mysteries nature never night Osiris Othello passed passion Peloponnesus perhaps person Phorcys play poetical poetry racter reader recollection rites round scarcely scene seemed seen Serapeum Serapis Shakspeare shew side snow soul speak spirit style success taste thing thou thought tion tragedy tribe tripe de roche truth turn voice whilst whole words writing young
Oblíbené pasáže
Strana 21 - I'll not shed her blood, Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster. Yet she must die, else she'll betray more men. Put out the light, and then put out the light.
Strana 298 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Strana 410 - A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
Strana 429 - Why, this is hell, nor am I out of it. Think'st thou that I, who saw the face of God And tasted the eternal joys of heaven, Am not tormented with ten thousand hells, In being depriv'd of everlasting bliss?
Strana 388 - In a dramatic composition the imagery and the passion should interpenetrate one another, the former being reserved simply for the full developement and illustration of the latter. Imagination is as the immortal God which should assume flesh for the redemption of mortal passion.
Strana 410 - She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and waylay.
Strana 153 - And falling and brawling and sprawling, And driving and riving and striving, And sprinkling and twinkling and wrinkling, And sounding...
Strana 97 - Tis but as ivy-leaves around the ruin'd turret wreath, All green and wildly fresh without, but worn and grey beneath. Oh, could I feel as I have felt, — or be what I have been, Or weep as I could once have wept, o'er many a vanish'd scene ; As springs in deserts found seem sweet, all brackish though they be, So, midst the wither'd waste of life, those tears would flow to me.
Strana 94 - My joy was in the Wilderness, to breathe The difficult air of the iced mountain's top, Where the birds dare not build, nor insect's wing Flit o'er the herbless granite...
Strana 153 - Sounds and motions forever and ever are blending, All at once and all o'er, with a mighty uproar, — And this way the water comes down at Lodore.