The Album, Svazek 3J. Andrews., 1823 |
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Strana 37
... living ( especially behind their backs ) , it is an excellent general rule to speak nothing but the good we know . This practice at once proves good - nature , and promotes good - fellowship ; and those who conscientiously adopt it ...
... living ( especially behind their backs ) , it is an excellent general rule to speak nothing but the good we know . This practice at once proves good - nature , and promotes good - fellowship ; and those who conscientiously adopt it ...
Strana 96
... living woman ? Can the surface of stone possess that exquisite texture which nothing but the skin of lovely living flesh can have - that mingling of velvet and satin , with the freshness of life superadded ? Can the hair of a statue ...
... living woman ? Can the surface of stone possess that exquisite texture which nothing but the skin of lovely living flesh can have - that mingling of velvet and satin , with the freshness of life superadded ? Can the hair of a statue ...
Strana 97
... living being than a stock or a stone " ? Has Art any thing so poetical as the desert - with its ocean - like extent - its columns of moving sand — its burning and death - bearing winds - and , more than all , its occasional green spots ...
... living being than a stock or a stone " ? Has Art any thing so poetical as the desert - with its ocean - like extent - its columns of moving sand — its burning and death - bearing winds - and , more than all , its occasional green spots ...
Strana 100
... living , saved or damned , with the merits and fate of which I am not acquainted ; -there is scarcely an actor , actress , or singer , whom I do not know as well as their perishable art will suffer them to be known to posterity . Now ...
... living , saved or damned , with the merits and fate of which I am not acquainted ; -there is scarcely an actor , actress , or singer , whom I do not know as well as their perishable art will suffer them to be known to posterity . Now ...
Strana 121
... living panorama , as I may say , of all Shakspeare which I had seen , gave me much food for musing . I turned in my mind all that he had been to me what his glorious works were in themselves , and those days of childish pleasure and ...
... living panorama , as I may say , of all Shakspeare which I had seen , gave me much food for musing . I turned in my mind all that he had been to me what his glorious works were in themselves , and those days of childish pleasure and ...
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Adam Blair admirable Æschylus Ali Pacha ancient Angels Apis appeared arms beautiful body called Captain Franklin Catline character Charles Kemble colour composite order death delight dramatic effect expression eyes Faulconbridge Faust feeling feet fire Fort Chipewyan genius Gibeah give Glenoe Græme Greeks hand happiness head heard heart heaven Hepburn honour Hood human imagination inches Indians language less lips living look Lord Lord Byron Lucy manner means ment Meph Mephistopheles mind Morea Mussulmen mysteries nature never night Osiris Othello passed passion Peloponnesus perhaps person Phorcys play poetical poetry racter reader recollection rites round scarcely scene seemed seen Serapeum Serapis Shakspeare shew side snow soul speak spirit style success taste thing thou thought tion tragedy tribe tripe de roche truth turn voice whilst whole words writing young
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Strana 21 - I'll not shed her blood, Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster. Yet she must die, else she'll betray more men. Put out the light, and then put out the light.
Strana 298 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Strana 410 - A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
Strana 429 - Why, this is hell, nor am I out of it. Think'st thou that I, who saw the face of God And tasted the eternal joys of heaven, Am not tormented with ten thousand hells, In being depriv'd of everlasting bliss?
Strana 388 - In a dramatic composition the imagery and the passion should interpenetrate one another, the former being reserved simply for the full developement and illustration of the latter. Imagination is as the immortal God which should assume flesh for the redemption of mortal passion.
Strana 410 - She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and waylay.
Strana 153 - And falling and brawling and sprawling, And driving and riving and striving, And sprinkling and twinkling and wrinkling, And sounding...
Strana 97 - Tis but as ivy-leaves around the ruin'd turret wreath, All green and wildly fresh without, but worn and grey beneath. Oh, could I feel as I have felt, — or be what I have been, Or weep as I could once have wept, o'er many a vanish'd scene ; As springs in deserts found seem sweet, all brackish though they be, So, midst the wither'd waste of life, those tears would flow to me.
Strana 94 - My joy was in the Wilderness, to breathe The difficult air of the iced mountain's top, Where the birds dare not build, nor insect's wing Flit o'er the herbless granite...
Strana 153 - Sounds and motions forever and ever are blending, All at once and all o'er, with a mighty uproar, — And this way the water comes down at Lodore.