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at the sides and crosses the crown, and pink No. 3. DEMI-TOILETTE.—Buff silk robe ; brides. Collar of point d'Angleterre. the corsage is half-high, and very open on the
SECOND FIGURE bosom. Long tight sleeve, and deep mancheron Presents a back view of the dress we have just trimmed with folds. India muslin pelerine described; but the robe is green satin, and the Canezou : it is of the heart shape, and a triple polonaise black velvet.
Stone-coloured satin fall, each bordered with Valenciennes lace, and chapeau, trimmed with ribbons to correspond, tapering to a point at the bottom of the waist. forming a full knot on one side, and terminated Lace cuffs, very deep. Tulle cap; the border is on the other by a bouquet composed of a fullturned back over the forehead, and rather deep blown rose, encircled by small May roses, and at the ears, at each of which light tufts of placed in the centre of a tuft of foliage. flowers are placed: a band of pink gauze rib
Half-LENGTH FIGURES. bon, encircling the caul, and tied in a knot on No. 3. EVENING DRESS.-French grey satio A one side, completes the garniture.
robe, a low corsage deeply pointed, opening in No. 4. Dinner Dress.--Grey satin robe; front on a lace guimpe, and trimmed round the the corsage, half-high at the back, opens on the top with a deep fold, which is bordered with bosom over
an embroidered guimpe ; it is two rows of point d'Alençon ; the trimming detrimmed in the lappel style, with Brussels lace: scends in a point nearly to the bottom of the the skirt opens in front on a muslin dress, em
waist. Short sleeve, covered with double bands broidered en tablier. Tight sleeve, a three- of ribbon placed lengthwise. Head-dress of quarter length, with a round, deep lace cuff, hair, decorated with a guirlande Sevigné, and a terminated by a ruffle. Lace cap, decorated large gold pin. with a band and knot, with floating ends of
No. 4. CARRIAGE DRESS.-Puce-coloured black and crimson-striped velvet ribhon.
levantine robe ; the corsage is quite high, tight No. 5. Morning Dress. - Muslin robe, front is formed by a triple seam; the front, as
to the shape, and demi-pointed; the shape of the made quite up to the throat, with a standing col- far as the point of the shoulder, is trimmed with lar trimmed with lace. Blue levantine redingote; bands of black velvet ribbon placed horizontally
; the corsage is of the habit form, with a falling and terminated at each end by a fancy silk orcollar and lappels, festooned at the edges : the skirt is open, and the sides decorated with fes- stomacher style to the bottom of the corsage,
This trimming is continued in the tooned robings, increasing in width as they de- and is repeated in a reverse direction on the scend. Long tight sleeve; festooned cuft and skirt. Long tight sleeve; cuff trimmed with mancheron ; the latter arched and cleft in the velvet bands, and cleft mancheron crossed in the centre. Organdy cap; a round shape, bordered style of the corsage. Blue velvet chapeau ; one with Valenciennes lace, and decorated with a of the new, moderately open shapes ; the trina twisted band of pink ribbon, terininated by a ming is composed of ribbon to correspond, and knot, with fringed ends on one side, and a tuft of roses embedded in foliage on the other.
a long white and blue shaded ostrich feather.
No. 5. EVENING Dress.-Pink Italian tafSECOND PLATE.
feta robe; a low corsage deeply pointed at Morning Visiting Dress. — Robe of bottom, and descending a little in the centre of striped and shaded Italian taffeta, a high cor- the bosom. Brussels lace pelerine, open on the sage deeply pointed, and long tight sleeves. bosom, and sufficiently deep to cover the short Blue satin polonaise; the corsage is made quite tight sleeve. The centre of the corsage is ornahigh ; it buttons from the throat half-way to the mented with a bouquet of roses without foliage. waist, sloping off and open at the sides, so as to The head-dress presents a front view of No. 3. display the front of the dress. The skirt sloped off in a round in front, is a half-length, and
TO CORRESPONDENTS. bordered with black velvet lace, which is headed Communications to be addressed to the Office
, by a row of fancy trimming ; the latter decorates 24, Norfolk-street, Strand, where all business is each side of the corsage.
The back of the polo transacted. naise is ornamented with three buttons, attaching bands of fancy trimming on each side of the
Accepted.-" The Sister's Farewell ;".. " ; hips ; they descend half-way down the skirt
, bilia ;" * H. E. A. E.;" "The Grave;" and and are terminated by buttons. Ornaments
“The Dying Wife;" but the other poem, by the composed of fancy trimming and buttons deco author of the last two, is declined.
one who writes so gracefully consider "time" and rate each corner of the front of the skirt. The
to be legitimate rhymes ? sleeve is rather more than a three-quarter length, Declined, with MANY THANKS._" The Futight at the upper part, and moderately wide at ture;" "A. Z.;" "T.T.T.” A Charade by an the lower; it is terminated by a cuff of a novel Old Contributor. It is not quite worthy of his peu, form (for which we refer to our print), and a fall Some correspondents instruct us to address as
Chapeau of pink velours before." We really cannot undertake to remember épinglé, a round moderately open shape, very any direction which we have not thought it worth short at the ears; the garniture is composed of while to register in our address book. a double rouleau of twisted ribbons, a lappet of point d'Angleterre, which forms coques and ends
Printed by Joseph Rogerson, 24, Norfolk-street, Strand,
of black velvet lace.
Ρ Ο Ε
BY CAMILLA TOUL MIN.
In Foolscap 8vo.
WM. S. ORR & CO., AMEN CORNER, PATERNOSTER ROW.
PERCY ST. JOHN'S INDIAN TALES .
This day is published, elegantly bound in cloth, price 3s. 6d.
THE ENCHANTED ROCK,
BY PERCY B. ST. JOHN.
“ Graphic Tale."-Alhenæum.
“ There is a good deal of incident in the tale, and whilst the writing is fully equal to that of the first volume, the matter we think is superior. The Indian characteristies seem better developed."- Spectator.
“This legend is written in a style so simple and yet so fresh, truthful and picturesque, that it carries the reader along with an irresistible charm.”- Dispatch.
“As a picture of wild semi-savage life, it is full of interest."-Atlas.
“ The author is not giving us an imaginary and romantic sketch, but has himself witnessed the striking scenes he describes in so powerful a manner."-Sunday Times.
“ Mr. Percy St. John will be one of the first novelists of the day."- Western Advertiser.
“But it is not alone in bringing out his characters that Mr. St. John excels; his graphic descriptions of scenery give evidence of a master hand; they are animate with poetry and instinct with life. He is conscious of his power. We gladly follow so instructive and agreeable a guide. None will lay down the volume, and not wish for another work from the highly gifted author."-Sentinel.
“Mr. St. John has opened a new source, and a rich one, of romance. His powers of description are so graphic that the reader is enabled to form a perfect idea of the locale. The only fault is it is too short.” - Era.
“ Equal to anything that ever emanated from Cooper. Fresh, picturesque, and touched off with a masterly hand. The character of Mainwaring, would
have done no discredit to the immortal author of Waverley. la orce and vigour not excelled by any writer of the present day.”- Yorkshireman.
Now ready, by the same author, price 3s. 6d., the Second Edition of
THE TRAPPER'S BRIDE.
OPINIONS OF THE PRESS :
“ He writes like one who knows his personages and his scenery; works up an escape or a moment of suspense with a forcible hand; and manages his dialogue well."-Athenæum.
“Mr. St. John is uncommonly interesting and original. The story never flags or hitches. All is fresh, full of life, and motion, and the scenes described are such as can assuredly occur only in such wild lands." Blaetter fuer literarische Unterhaltung.
“Cooper's novels have not half the spirit of these two short and simple stories."- Era. “He has caught the spirit of the wilds, and almost rivals Cooper," --Critic. " In style so vivid as to approach the finest delineations of the author of "The last of the Mohicans.”"Now that Cooper has almost ceased to write, Mr. St. John will have no competitor."-Sunday Times. “ Not excelled even by Cooper."--Literary Times. "The most vivid and graphic sketches in the style of Cooper ever been given to the public.” –Weekly Paper. ** Since the novels of Cooper, we have seen nothing to compare to these Indian tales.”—Jersey Times. "The heroine is one of the finest and boldly drawn characters in the range of fiction." - Yorkshireman. “Not excelled even by Cooper in his happiest efforts.”- Norwich Mercury. • The author of this work is now well known as a very successful
periodical writer, and we believe bis talents are beginning to be appreciated at their real worth. He has all the elements of popularity ; his style is easy, fluent, and engaging ; and evidently possesses a fervid and generous enthusiasm. Few young authors of the present day have so little to learn as Mr. Percy St. John."- Oxford and Cambridge Review.
HAYWARD AND ADAM, 48, PATERNOSTER ROW.