Directing PlaysRoutledge, 24. 1. 1997 - Počet stran: 200 Directing Plays explores both the theory and practice of directing plays, with particular emphasis on textual interpretation. Don Taylor guides the student through the complex process of choosing a play, the working partnership of director, playwright and designer, the delicate matter of casting a play, the rehearsal process and everything which needs to happen before the production is up and running. |
Vyhledávání v knize
Výsledky 1-5 z 37
Strana
... performance should go, found himself in competition with, and eventually defeated by, the designer. It is the first evidence we have of a fundamental disagreement among working professionals about what their production should be. The ...
... performance should go, found himself in competition with, and eventually defeated by, the designer. It is the first evidence we have of a fundamental disagreement among working professionals about what their production should be. The ...
Strana
... performance. Davenant's old patent and Killigrew's political clout had the desired effect, and by August 1660, the two men had been granted the sole rights to present plays in London. There followed a three month because it makes their ...
... performance. Davenant's old patent and Killigrew's political clout had the desired effect, and by August 1660, the two men had been granted the sole rights to present plays in London. There followed a three month because it makes their ...
Strana
Don Taylor. The exchange is very funny, both to read and in performance, and a rapier thaist into the vitals of playwright-directors who don't have the first grasp of stage technique, but it also shows how formal a style of acting the ...
Don Taylor. The exchange is very funny, both to read and in performance, and a rapier thaist into the vitals of playwright-directors who don't have the first grasp of stage technique, but it also shows how formal a style of acting the ...
Strana
... performances - and we can be quite sure that when Garrick, Siddons and Kean were on stage, there were many - were the product of the artistic insight and long experience of the actors. But by the time Trelawney of the Wells was staged ...
... performances - and we can be quite sure that when Garrick, Siddons and Kean were on stage, there were many - were the product of the artistic insight and long experience of the actors. But by the time Trelawney of the Wells was staged ...
Strana
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
2 Selecting Your Play | |
3 Preparation | |
4 Design and Designers | |
5 The Rehearsal Process | |
6 Fitup to Opening | |
7 Conclusions | |
Index | |
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
acting actor and director actors actress Arthur Miller artistic audi audience author’s become begin century character colour costume designer create creative crucial Davenant deal detail directing dramatic dress rehearsal emotional English Euripides everything exciting experience express feel film give Greek Greek chorus happen Harold Pinter idea imagination improvisation Inigo Jones Joan Littlewood judgement Juliet Stevenson kind lighting designer living look Macbeth meaning metaphor modern move movement naturalistic never particular performance perhaps person Peter Brook play play’s playwright poet poetic poetry probably problem production question realised recognise relationship Royal National Theatre run-through scene script Shakespeare simply sort sound speech stage sure technical technical rehearsal technique television Tennessee Williams theatre directors theatre space theatrical things tion truth usually verse week whole William Davenant words writing wrong