Directing PlaysRoutledge, 24. 1. 1997 - Počet stran: 200 Directing Plays explores both the theory and practice of directing plays, with particular emphasis on textual interpretation. Don Taylor guides the student through the complex process of choosing a play, the working partnership of director, playwright and designer, the delicate matter of casting a play, the rehearsal process and everything which needs to happen before the production is up and running. |
Vyhledávání v knize
Výsledky 1-5 z 87
Strana
... play, Aeschylus's The Persians, dates from 472. Who the first director was is a matter open to some argument. If we assume that we are talking about a stage organiser and interpreter of plays who is a specialist in that field and earns ...
... play, Aeschylus's The Persians, dates from 472. Who the first director was is a matter open to some argument. If we assume that we are talking about a stage organiser and interpreter of plays who is a specialist in that field and earns ...
Strana
... plays staged before the craft of directing as a specialised discipline emerged? Directing. without. directors. Any play can be directed by a group of actors among themselves, with or without the assistance of the playwright. In a simple or ...
... plays staged before the craft of directing as a specialised discipline emerged? Directing. without. directors. Any play can be directed by a group of actors among themselves, with or without the assistance of the playwright. In a simple or ...
Strana
... plays from the past which show the process of play-direction taking place, there is the famous row between Ben Jonson and Inigo Jones about the purpose of dramatic representation, and there is the conscious recreation of the Restoration ...
... plays from the past which show the process of play-direction taking place, there is the famous row between Ben Jonson and Inigo Jones about the purpose of dramatic representation, and there is the conscious recreation of the Restoration ...
Strana
... play too many unscripted gags. Otherwise, he treats the actors with great respect, as masters of their art. Having given them a clear indication of how they should act, he defers in practice to their experience. It is significant that ...
... play too many unscripted gags. Otherwise, he treats the actors with great respect, as masters of their art. Having given them a clear indication of how they should act, he defers in practice to their experience. It is significant that ...
Strana
Omlouváme se, ale obsah této stránky je nepřístupný..
Omlouváme se, ale obsah této stránky je nepřístupný..
Obsah
2 Selecting Your Play | |
3 Preparation | |
4 Design and Designers | |
5 The Rehearsal Process | |
6 Fitup to Opening | |
7 Conclusions | |
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
acting actor and director actors actress Arthur Miller artistic audi audience author’s become begin century character colour costume designer create creative crucial Davenant deal detail directing dramatic dress rehearsal emotional English Euripides everything exciting experience express feel film give Greek Greek chorus happen Harold Pinter idea imagination improvisation Inigo Jones Joan Littlewood judgement Juliet Stevenson kind lighting designer living look Macbeth meaning metaphor modern move movement naturalistic never particular performance perhaps person Peter Brook play play’s playwright poet poetic poetry probably problem production question realised recognise relationship Royal National Theatre run-through scene script Shakespeare simply sort sound speech stage sure technical technical rehearsal technique television Tennessee Williams theatre directors theatre space theatrical things tion truth usually verse week whole William Davenant words writing wrong