Directing PlaysRoutledge, 24. 1. 1997 - Počet stran: 200 Directing Plays explores both the theory and practice of directing plays, with particular emphasis on textual interpretation. Don Taylor guides the student through the complex process of choosing a play, the working partnership of director, playwright and designer, the delicate matter of casting a play, the rehearsal process and everything which needs to happen before the production is up and running. |
Vyhledávání v knize
Výsledky 1-5 z 78
Strana
... stage organiser and interpreter of plays who is a specialist in that field and earns his living from it, not principally an actor or playwright, then we must certainly look just before or just after World War I to find him. The ...
... stage organiser and interpreter of plays who is a specialist in that field and earns his living from it, not principally an actor or playwright, then we must certainly look just before or just after World War I to find him. The ...
Strana
... stage, their singing choruses and grotesque dancers, must have been very precisely directed by Betterton, the great actor-manager, who ought perhaps to be called the first great English Director too. At every stage in theatre history ...
... stage, their singing choruses and grotesque dancers, must have been very precisely directed by Betterton, the great actor-manager, who ought perhaps to be called the first great English Director too. At every stage in theatre history ...
Strana
... stage, but whether that happened, or whether the production of plays was a pragmatic business, built up in daily rehearsal, is also largely unknown. We guess that something like the imaginative directing process as we understand it must ...
... stage, but whether that happened, or whether the production of plays was a pragmatic business, built up in daily rehearsal, is also largely unknown. We guess that something like the imaginative directing process as we understand it must ...
Strana
... stage-effects of the moon and the wall, is discussed between the whole group, and the views of the most dominant personality, Bottom, are adopted. It seems to me that a number of things can be inferred from these two famous rehearsal ...
... stage-effects of the moon and the wall, is discussed between the whole group, and the views of the most dominant personality, Bottom, are adopted. It seems to me that a number of things can be inferred from these two famous rehearsal ...
Strana
... stages. When you work on such a stage - and I worked on one not unlike the traditional shape, at the St George's Theatre in the mid 1970s - you are very conscious that this is a space that naturally favours the actors, and through them ...
... stages. When you work on such a stage - and I worked on one not unlike the traditional shape, at the St George's Theatre in the mid 1970s - you are very conscious that this is a space that naturally favours the actors, and through them ...
Obsah
2 Selecting Your Play | |
3 Preparation | |
4 Design and Designers | |
5 The Rehearsal Process | |
6 Fitup to Opening | |
7 Conclusions | |
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