Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - Počet stran: 371 |
Vyhledávání v knize
Výsledky 1-3 z 78
Strana xi
... criticism that deals with merits and characteristics — the kind of criticism that is the matter of this volume - there is one prevailing man- ner during the hundred years from Dryden's Essay ( 1668 ) to Johnson's Preface ( 1765 ) ...
... criticism that deals with merits and characteristics — the kind of criticism that is the matter of this volume - there is one prevailing man- ner during the hundred years from Dryden's Essay ( 1668 ) to Johnson's Preface ( 1765 ) ...
Strana xvii
... criticism , and the novelty of its manner was remarked on by Jeffrey in an article in The Edin- burgh Review . It was the first book in which the criticism of the nineteenth century spoke clearly and confidently . But Coleridge had ...
... criticism , and the novelty of its manner was remarked on by Jeffrey in an article in The Edin- burgh Review . It was the first book in which the criticism of the nineteenth century spoke clearly and confidently . But Coleridge had ...
Strana xviii
... criticism should re- flect the colours , the light and shade , the soul and body of a work ' . The great question ... criticism on Shakespeare at the be- ginning of the nineteenth century . The criticism of Coleridge and Hazlitt is a ...
... criticism should re- flect the colours , the light and shade , the soul and body of a work ' . The great question ... criticism on Shakespeare at the be- ginning of the nineteenth century . The criticism of Coleridge and Hazlitt is a ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
Další části 12 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers