Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - Počet stran: 371 |
Vyhledávání v knize
Výsledky 1-3 z 32
Strana 21
... fear ( at least , let me fear it for my self ) that we who Ape his sounding words , have nothing of his thought , but are all out - side ; there is not so much as a dwarf within our Giants cloaths . Therefore , let not Shakespear suffer ...
... fear ( at least , let me fear it for my self ) that we who Ape his sounding words , have nothing of his thought , but are all out - side ; there is not so much as a dwarf within our Giants cloaths . Therefore , let not Shakespear suffer ...
Strana 138
... fear of discovery ; and therefore does not drop a word which can betray him , but artfully endeavours to impute it to others ; and , without the least appearance of ostentation , makes the most natural and most pertinent reflections ...
... fear of discovery ; and therefore does not drop a word which can betray him , but artfully endeavours to impute it to others ; and , without the least appearance of ostentation , makes the most natural and most pertinent reflections ...
Strana 348
... fear to employ them in high tragedy ( a tragedy moreover which , though not the very greatest of his efforts as an intellec- tual whole , nor as a struggle of passion , is among the greatest in any view , and positively the greatest for ...
... fear to employ them in high tragedy ( a tragedy moreover which , though not the very greatest of his efforts as an intellec- tual whole , nor as a struggle of passion , is among the greatest in any view , and positively the greatest for ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
Další části 12 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers