The Satanic EpicPrinceton University Press, 2003 - Počet stran: 382 The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. |
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Neil Forsyth. 12. " FULL OF DOUBT I STAND " : THE STRUCTURES OF PARADISE LOST 314 CONCLUSION : SIGNS PORTENTOUS 329 ( 1 ) Apocalypse 329 ( 2 ) " Disastrous twilight " 332 ( 3 ) Editors 338 ( 4 ) Sun - Son 341 ( 5 ) Reading Signs 342 ( 6 ) ...
... structure of the whole poem , and even its final scene , may be read as Satanic . Romantic admiration , then , was not misplaced . Satan's appeal is obvious from the beginning . Milton constructs him as our point of access , a seductive ...
... structure that encourages constant questioning - and within which it gradually fades away as seasonal time and human history ( “ this transient World , the Race of time " ; 12.554 ) replace or convert myth . For the most part , my own ...
... structure of the narrative demonstrates . Theoretically the Christian God may be " Omnipotent , / Immutable , Immortal , Infinite " ( 3.372-73 ) , and omni- scient to boot , but what the poem highlights is the combat myth that informs ...
... structure of Paradise Lost . It is Satan's presence that both causes and excuses the fall of mankind , and his role is to allow God to forgive Adam and Eve . Like his great opponent in the poem , the Son , he is , in an important sense ...
Obsah
A BRIEF HISTORY OF SATAN | 24 |
1 The Old Enemy | 25 |
2 Ancient Myth and Epic | 28 |
3 Hesiod | 30 |
4 Apocalypses | 35 |
5 The satan | 37 |
6 The New Testament | 39 |
7 The Early Church | 43 |
3 The Problem of Evil | 192 |
4 Satan and Ancient Evils | 195 |
Hells Fury | 196 |
6 The Darkness of Hell | 201 |
7 God created evil | 204 |
8 The Language of Sin | 206 |
9 Evil Eve | 207 |
10 Openings | 209 |
8 Heresy | 45 |
9 Medieval Heresy | 49 |
10 Old English Genesis to Chaucer | 50 |
11 Satans Rebellion | 54 |
12 Warfare and Imperialism | 56 |
13 Elizabethan Drama | 60 |
14 Politics | 62 |
15 The Miltonic Moment | 64 |
16 Subversive Satan | 66 |
17 Critical Controversies | 69 |
THE EPIC VOICE | 77 |
2 Hope and Despair | 81 |
3 Dark designs | 86 |
4 Devils into Dwarfs | 87 |
S The Critical Need for the Narrator | 90 |
6 Epic Similes | 100 |
7 Erring | 105 |
8 Parliamentary Devils | 108 |
FOLLOW THE LEADER | 114 |
1 Chaos | 115 |
2 Approaching Paradise | 124 |
3 Satans Entry into Paradise | 129 |
5 Sex | 134 |
MY SELF AM HELL | 147 |
1 Niphates | 148 |
2 Faustus and the Abyss | 152 |
3 God in Satan | 155 |
4 Hell in Heaven | 157 |
5 Witchcraft | 160 |
SATANS REBELLION | 167 |
1 Rebellion in Hesiod | 170 |
2 Gods Creative Word | 171 |
3 Satans Theology | 176 |
4 Sources of Satans Motive | 180 |
5 Hebrews | 183 |
6 Psalm 2 | 185 |
THE LANGUAGE OF EVIL | 188 |
2 Hate in Heaven | 190 |
11 Perverse | 212 |
12 Odium Dei | 214 |
OF MANS FIRST DIS | 217 |
1 Dis | 218 |
2 Satans dark suggestions | 221 |
3 Quibbles | 224 |
4 Vergil | 228 |
S Ovid | 229 |
6 Dante | 233 |
7 Difference | 235 |
HOMER IN MILTON THE ATTENDANCE MOTIF AND THE GRACES | 239 |
SATAN TEMPTER | 259 |
2 Stupidly good | 261 |
3 Sexual Serpents | 263 |
4 Discourse | 265 |
5 The Seductive Text | 268 |
6 Commentators | 272 |
7 What delight | 277 |
8 Satans Sewers | 280 |
9 Satanic Verses | 282 |
IF THEY WILL HEAR | 285 |
AT THE SIGN OF THE DOVE AND SERPENT | 301 |
1 Irenaeus | 303 |
2 The Wisdom of the Serpent | 304 |
3 Image | 305 |
4 The Brazen Serpent | 308 |
5 The Meaning of History | 309 |
6 Christ and Serpent | 311 |
THE STRUCTURES OF PARADISE LOST | 314 |
SIGNS PORTENTOUS | 329 |
2 Disastrous twilight | 332 |
3 Editors | 338 |
4 SunSon | 341 |
5 Reading Signs | 342 |
6 Good with bad expect to hear | 344 |
BIBLIOGRAPHY | 349 |
371 | |
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