Shakspere's Predecessors in the English Drama, Svazek 4Smith, Elder & Company, 1884 - Počet stran: 668 |
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Strana xvii
... the Sixteenth Century -- Definition of Euphuism - Illustrations . - V . Lyly becomes a Courtier - His Want of Success -- The Simplicity of his Dramatic Prose - The a PAGE 412 · 485 Beauty of the Lyrics - The Novelty of his Court.
... the Sixteenth Century -- Definition of Euphuism - Illustrations . - V . Lyly becomes a Courtier - His Want of Success -- The Simplicity of his Dramatic Prose - The a PAGE 412 · 485 Beauty of the Lyrics - The Novelty of his Court.
Strana 1
... Century - Criticism has to demon- strate this.-V. Chronology is scarcely helpful - Complexity of the Subject - Imperfection of our Drama as a Work of Art - Abundance of Materials for Studying all Three Stages — Unique Richness of our ...
... Century - Criticism has to demon- strate this.-V. Chronology is scarcely helpful - Complexity of the Subject - Imperfection of our Drama as a Work of Art - Abundance of Materials for Studying all Three Stages — Unique Richness of our ...
Strana 2
... century demands , and in my opinion demands rightly , some demonstration of a process in the facts collected and presented by a student to the public . It is both unphilosophical and uninteresting to bind up notices , reviews , and ...
... century demands , and in my opinion demands rightly , some demonstration of a process in the facts collected and presented by a student to the public . It is both unphilosophical and uninteresting to bind up notices , reviews , and ...
Strana 5
... of the Drama from the vantage - ground of time , see that in Shakspere the art of sixteenth - century England was completed and ac- complished . It had imbibed all elements it needed Y 1 for its growth ; comic humour , lyrical loveliness.
... of the Drama from the vantage - ground of time , see that in Shakspere the art of sixteenth - century England was completed and ac- complished . It had imbibed all elements it needed Y 1 for its growth ; comic humour , lyrical loveliness.
Strana 13
... century , the compendium of all that the Renais- sance had brought to light . It meant for England the recovery of Greek and Latin culture , the emancipation of the mind from medieval bondage , the emergence of the human spirit in its ...
... century , the compendium of all that the Renais- sance had brought to light . It meant for England the recovery of Greek and Latin culture , the emancipation of the mind from medieval bondage , the emergence of the human spirit in its ...
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A. H. Bullen actors allegory Arden artistic audience beauty Ben Jonson blank verse called character Chronicle Chronicle Play classical Comedy comic Court criticism death devil dialogue doth Doubtful Plays dramatists Edward Elizabethan Endimion England English epoch Euphues Euphuism fancy Faustus Friar genius Gorboduc Greek Greene Greene's hand hath heaven hell Henry Heywood holy human Interlude Italian Italy Jew of Malta Jonson Juventus King Lady literary literature London Lord Lyly Lyly's lyric Marlowe Marlowe's Masque Master medieval Mephistophilis metre Miracles moral Moral Plays Mosbie motive murder Nash pageants Pardoner passion personages piece play players playwrights poet poetry popular Prince Queen reign rhyme Romantic Drama scene servant Shakspere Shakspere's soul spirit stage Stukeley style sweet Tamburlaine theatre thee things Thomas thou tion tragedy tragic trochee Vice Wendoll wife Witch of Edmonton words Yorkshire Tragedy youth
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Strana 57 - tis the soul of peace ; Of all the virtues 'tis nearest kin to heaven ; It makes men look like gods. The best of men That e'er wore earth about him was a sufferer, A soft, meek, patient, humble, tranquil spirit, The first true gentleman that ever breath'd.
Strana 226 - Thence what the lofty grave tragedians taught In chorus or iambic, teachers best Of moral prudence, with delight received In brief sententious precepts, while they treat Of fate, and chance, and change in human life, High actions, and high passions best describing : Thence to the famous orators repair, Those ancient, whose resistless eloquence Wielded at will that fierce democratic, Shook the arsenal, and fulmined over Greece To Macedon and Artaxerxes...
Strana 593 - THE measure is English heroic verse without rime, as that of Homer in Greek, and of Virgil in Latin — rime being no necessary adjunct or true ornament of poem or good verse, in longer works especially, but the invention of a barbarous age, to set off wretched matter and lame metre...
Strana 515 - Full little knowest thou that hast not tried What hell it is in suing long to bide ; To lose good days that might be better spent, To waste long nights in pensive discontent, To speed to-day, to be put back to-morrow, To feed on hope, to pine with fear and sorrow, To have thy prince's grace yet want her Peers...
Strana 49 - tis too horrible ! The weariest and most loathed worldly life, ^ That age, ache, penury, and imprisonment Can lay on nature, is a paradise To what we fear of death.
Strana 319 - But He, her fears to cease, Sent down the meek-eyed Peace ; She, crowned with olive green, came softly sliding Down through the turning sphere His ready harbinger, With turtle wing the amorous clouds dividing; And waving wide her myrtle wand, She strikes a universal peace through sea and land.
Strana 615 - Was this the face that launched a thousand ships And burnt the topless towers of Ilium ?— Sweet Helen, make me immortal with a kiss. Her lips suck forth my soul : see, where it flies! Come, Helen, come, give me my soul again. Here will I dwell, for heaven is in these lips, And all is dross that is not Helena.
Strana 388 - How would it have joyed brave Talbot, the terror of the French, to think that after he had lain two hundred years in his tomb, he should triumph again on the stage and have his bones new embalmed with the tears of ten thousand spectators at least (at several times), who, in the tragedian that represents his person, imagine they behold him fresh bleeding...
Strana 434 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Strana 49 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod...