Christ to Coke: How Image Becomes Icon

Přední strana obálky
Image, branding, and logos are obsessions of our age. Iconic images dominate the media. Christ to Coke is the first book to look at all the main types of visual icons. It does so via eleven supreme and mega-famous examples, both historical and contemporary, to see how they arose and how they continue to function. Along the way, we encounter the often weird and wonderful ways that they become transformed in an astonishing variety of ways and contexts. How, for example, has the communist revolutionary Che become a romantic hero for middle-class teenagers? The stock image of Christ's face is the founding icon - literally, since he was the central subject of early icon painting. Some of the icons that follow are general, like the cross, the lion, and the heart-shape. Some are specific, such as the Mona Lisa, Che Guevara, and the famous photograph of the napalmed girl in Vietnam. The American flag, the "Stars and Stripes", does not quite fit into either category. Modern icons come from commerce, led by the Coca-Cola bottle, and from science, most notably the double helix of DNA and Einstein's famous equation E=mc2. The stories, researched using the skills of a leading visual historian, are told in a vivid and personal manner. Some are funny; some are deeply moving; some are highly improbable; some centre on popular fame; others are based on the most profound ideas in science. The diversity is extraordinary. There is no set formula, but do the images share anything in common? So famous are the images that every reader is an expert in their own right and will be entertained and challenged by the narratives that Martin Kemp skilfully weaves around them.
 

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Obsah

Introduction
1
The True Icon
13
2 The Cross
45
3 The Heart
81
4 The Lion
113
5 Mona Lisa
141
6 Che
167
7 Napalmed and Naked
197
8 Stars and Stripes
225
The Bottle
253
10 DNA
279
11 Emcsup2
307
12 Fuzzy Formulas
339
Picture Acknowledgements
355
Index
359
Autorská práva

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O autorovi (2012)

Martin Kemp, FBA, is Emeritus Professor in the History of Art at Trinity College, Oxford University. He has written, broadcast and curated exhibitions on imagery in art and science from the Renaissance to the present day, including The Science of Art. Optical Themes in Western Art fromBrunelleschi to Seurat (1992), The Human Animal in Western Art and Science (2007), Leonardo, and the prize-winning Leonardo da Vinci. The marvellous works of nature and man (1989 and 2006). His book on the newly discovered Leonardo portrait, La Bella Principessa, written with Pascal Cotte, waspublished in 2010.

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