細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
Vyhledávání v knize
Výsledky 1-5 z 43
Strana i
... 劇本,也寫詩;不僅是劇作家,也曾粉墨登場,還是劇團的股東。或許正因為如此,他的作品中顯示對語言的極度敏感,於戲劇與人生的對應,似乎也有特別深入的看法。本集各篇討論的本文不一,但主題都環繞著莎士比亞的語言和戲劇觀念這兩個面向,從劇場角度出發,並且以 ...
... 劇本,也寫詩;不僅是劇作家,也曾粉墨登場,還是劇團的股東。或許正因為如此,他的作品中顯示對語言的極度敏感,於戲劇與人生的對應,似乎也有特別深入的看法。本集各篇討論的本文不一,但主題都環繞著莎士比亞的語言和戲劇觀念這兩個面向,從劇場角度出發,並且以 ...
Strana v
... 劇本結構的必要部份,而交代來龍去脈卻不是三言兩語能表述周全;如果讓主人公在台上滔滔不絕,一口氣講上一百三十多行,又不能不顧慮觀眾的耐性如何了。為了舞台氣氛,在敘述過程中,主人公自我打岔,幾次問女兒是否在聽,這「與其說是針對自己女兒,不如說針對 ...
... 劇本結構的必要部份,而交代來龍去脈卻不是三言兩語能表述周全;如果讓主人公在台上滔滔不絕,一口氣講上一百三十多行,又不能不顧慮觀眾的耐性如何了。為了舞台氣氛,在敘述過程中,主人公自我打岔,幾次問女兒是否在聽,這「與其說是針對自己女兒,不如說針對 ...
Strana 20
... 劇本歷經一連串的更動;等到觀眾欣賞的時候,劇本幾乎是「不著一點[原作的]痕跡」了。3 二、劇本的產生我們的討論,理當從這裏開始:劇本是如何產生的?從森林走出去的兩對雅典情侶,一路敘述他們記憶不全的前一晚的經驗。但是,他們離奇的故事立刻被理智掛帥的 ...
... 劇本歷經一連串的更動;等到觀眾欣賞的時候,劇本幾乎是「不著一點[原作的]痕跡」了。3 二、劇本的產生我們的討論,理當從這裏開始:劇本是如何產生的?從森林走出去的兩對雅典情侶,一路敘述他們記憶不全的前一晚的經驗。但是,他們離奇的故事立刻被理智掛帥的 ...
Strana 22
... 劇本失敗,心血付諸東流;或劇本脫離詩人而獨立,乃至編劇者能否宣稱他的著作權都成疑問:這些都是司空見慣的事。觀眾所見,果真能夠正好是編劇者所要表達的嗎?在原創的本子和再創的本子之間,有一段距離——有時是鴻溝。在劇場裏,這代表劇本和觀眾所接受的真正 ...
... 劇本失敗,心血付諸東流;或劇本脫離詩人而獨立,乃至編劇者能否宣稱他的著作權都成疑問:這些都是司空見慣的事。觀眾所見,果真能夠正好是編劇者所要表達的嗎?在原創的本子和再創的本子之間,有一段距離——有時是鴻溝。在劇場裏,這代表劇本和觀眾所接受的真正 ...
Strana 23
... 劇本待演出的編劇者。饒富意義的是,他的「戲」沒有一次按照他自己制定的腳本發展。有時候是劇本本身出了毛病;而劇本在走到舞台的路上,又有太多防不勝防的風險。三、劇本何處去?奧本龍寫第一個劇本,是為了報復他執拗不願讓步的妻子,精靈之后泰淡雅 ...
... 劇本待演出的編劇者。饒富意義的是,他的「戲」沒有一次按照他自己制定的腳本發展。有時候是劇本本身出了毛病;而劇本在走到舞台的路上,又有太多防不勝防的風險。三、劇本何處去?奧本龍寫第一個劇本,是為了報復他執拗不願讓步的妻子,精靈之后泰淡雅 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?