細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
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Výsledky 1-5 z 44
Strana 18
... 問題,大家早已熟悉。2 一提起來,我們就會想到丹麥王子怎樣諄諄告誡演員謹守中庸之道:表演配合文字、文字配合表演。特別注意這一點:不可踰越了自然的中庸之道。因為任何表演過了頭就背離了它的原意。演戲的目的,從古到今,一直都好比是舉起鏡子反映自然 ...
... 問題,大家早已熟悉。2 一提起來,我們就會想到丹麥王子怎樣諄諄告誡演員謹守中庸之道:表演配合文字、文字配合表演。特別注意這一點:不可踰越了自然的中庸之道。因為任何表演過了頭就背離了它的原意。演戲的目的,從古到今,一直都好比是舉起鏡子反映自然 ...
Strana 34
... 可能活像個霸王。說來說去,問題出在這裏:演員演劇本,能夠演得多像(賴散德語) ? ——或是說,忠於劇本到什麼程度?如果以這班雅典玩票人的水準來看,要想有一場「忠實」的演出,恐怕是奢求。假如困思、乃 至霸臀,都不及格,編劇者只好 34 ◎細說莎士比亞:論文集.
... 可能活像個霸王。說來說去,問題出在這裏:演員演劇本,能夠演得多像(賴散德語) ? ——或是說,忠於劇本到什麼程度?如果以這班雅典玩票人的水準來看,要想有一場「忠實」的演出,恐怕是奢求。假如困思、乃 至霸臀,都不及格,編劇者只好 34 ◎細說莎士比亞:論文集.
Strana 36
... 問題,才使這齣戲成了亦悲亦喜、悲喜交雜的一片混亂。明明是個短劇,對在台上的觀眾而言,卻果然如劇名所示,十分冗長。西秀士的娛樂總管費勞悴( Philostrate )早就提出警告,說這戲「煞費工夫, [演員]戲詞背得痛苦」( 5.1 . 80 )。這齣戲,演員的水準決定了它 ...
... 問題,才使這齣戲成了亦悲亦喜、悲喜交雜的一片混亂。明明是個短劇,對在台上的觀眾而言,卻果然如劇名所示,十分冗長。西秀士的娛樂總管費勞悴( Philostrate )早就提出警告,說這戲「煞費工夫, [演員]戲詞背得痛苦」( 5.1 . 80 )。這齣戲,演員的水準決定了它 ...
Strana 45
... 問題,可參閱 Alvin B. Kernan ,特別是第三、第四及第七章。 3 David Young 對本戲的「戲」有過專書深入討論,筆者深受啟發。 4 在這裏,我採用戲中戲最廣的定義,因此包括的不僅《皮拉木和賽施碧》這種明顯的戲;只要是刻意安排角色做戲劇接觸,並至少有舞台上 ...
... 問題,可參閱 Alvin B. Kernan ,特別是第三、第四及第七章。 3 David Young 對本戲的「戲」有過專書深入討論,筆者深受啟發。 4 在這裏,我採用戲中戲最廣的定義,因此包括的不僅《皮拉木和賽施碧》這種明顯的戲;只要是刻意安排角色做戲劇接觸,並至少有舞台上 ...
Strana 55
... 問題。一方面, Peter Ure 為李察的作法辯解道:當然,這些挑戰場景,對身涉其中的任何一個角色而言,不過是演給眾人看的政治戲碼,看來像煞有其事,但那股子肅穆,也只是形式化的社會習俗所常有。( lxiv )以此削減了挑戰一景的重要性後, Ure 繼而稱讚中止這場 ...
... 問題。一方面, Peter Ure 為李察的作法辯解道:當然,這些挑戰場景,對身涉其中的任何一個角色而言,不過是演給眾人看的政治戲碼,看來像煞有其事,但那股子肅穆,也只是形式化的社會習俗所常有。( lxiv )以此削減了挑戰一景的重要性後, Ure 繼而稱讚中止這場 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?