細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出, 論文集以學者犀利的目光,淵博深厚的修養,獨到的見解, |
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Výsledky 1-5 z 54
Strana iv
... 如果撰寫中華莎學研究史,此為卓然一家的論文集,是怎麼也不能不提到的。首先想推薦論文「自我打岔」:試論《暴風雨》的一個奇特現象>。多年前,我曾字斟句酌地譯過這一傳奇劇,又為之撰文介紹;可從沒意識到主人公訴說家史那一段台詞(第一幕二場) ,對於慧眼獨 ...
... 如果撰寫中華莎學研究史,此為卓然一家的論文集,是怎麼也不能不提到的。首先想推薦論文「自我打岔」:試論《暴風雨》的一個奇特現象>。多年前,我曾字斟句酌地譯過這一傳奇劇,又為之撰文介紹;可從沒意識到主人公訴說家史那一段台詞(第一幕二場) ,對於慧眼獨 ...
Strana v
... 如果讓主人公在台上滔滔不絕,一口氣講上一百三十多行,又不能不顧慮觀眾的耐性如何了。為了舞台氣氛,在敘述過程中,主人公自我打岔,幾次問女兒是否在聽,這「與其說是針對自己女兒,不如說針對劇場裡付費的觀眾」(頁 110 )。也就是說,莎翁作為一個職業劇作家 ...
... 如果讓主人公在台上滔滔不絕,一口氣講上一百三十多行,又不能不顧慮觀眾的耐性如何了。為了舞台氣氛,在敘述過程中,主人公自我打岔,幾次問女兒是否在聽,這「與其說是針對自己女兒,不如說針對劇場裡付費的觀眾」(頁 110 )。也就是說,莎翁作為一個職業劇作家 ...
Strana xii
... 如果不怕實話實說,那麼從安東尼這方面而言,恐怕只能是有同性戀傾向的「友誼」了。明確了這一點,我們就會接受論文所提出的,莎士比亞借安東尼的絕命書「強化了波瑕介入審判的動機」(頁 146 )。在法庭上兩個好友的訣別讓波瑕「對她丈夫和安東尼的關係所懷的 ...
... 如果不怕實話實說,那麼從安東尼這方面而言,恐怕只能是有同性戀傾向的「友誼」了。明確了這一點,我們就會接受論文所提出的,莎士比亞借安東尼的絕命書「強化了波瑕介入審判的動機」(頁 146 )。在法庭上兩個好友的訣別讓波瑕「對她丈夫和安東尼的關係所懷的 ...
Strana 11
... 如果伊色貝肯跟他睡覺,他便放過柯羅迪。這項交易遭到伊色貝峻拒,並向獄中的弟弟轉述。公爵其實假扮神父,留在城裡探訪民隱;他適巧偷聽到內情,便將計就計,要伊色貝假裝同意,實則由先前曾與安哲洛訂有婚約的馬蓮娜( Mariana )代為赴約。沒想到事後安哲洛違背 ...
... 如果伊色貝肯跟他睡覺,他便放過柯羅迪。這項交易遭到伊色貝峻拒,並向獄中的弟弟轉述。公爵其實假扮神父,留在城裡探訪民隱;他適巧偷聽到內情,便將計就計,要伊色貝假裝同意,實則由先前曾與安哲洛訂有婚約的馬蓮娜( Mariana )代為赴約。沒想到事後安哲洛違背 ...
Strana 25
... ,就說:怎麼,要演戲啦?我來做聽眾;或許也客串演員,如果有必要。 What , a play toward ? I'll be an auditor ; An actor too perhaps , if I see cause . ( 3.1 . 75-76 ) 結果呢,潑哥在這齣短劇裏 編劇者的夢魘:戲談《仲夏夜之夢》 25.
... ,就說:怎麼,要演戲啦?我來做聽眾;或許也客串演員,如果有必要。 What , a play toward ? I'll be an auditor ; An actor too perhaps , if I see cause . ( 3.1 . 75-76 ) 結果呢,潑哥在這齣短劇裏 編劇者的夢魘:戲談《仲夏夜之夢》 25.
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?