細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
Vyhledávání v knize
Výsledky 1-5 z 44
Strana v
... 故事的「敘述」。我國傳統的戲曲小說的敘事程式,往往平鋪直敘,原原本本,從頭說起。莎劇敘事,意在一開始就吸引觀眾注意,慣於在情節進展過程中截取一個切入點,從中間說起。《暴風雨》尤其值得注意,演繹的是十多年的愛怨恩仇,而戲劇時間卻壓縮在最後一天 ...
... 故事的「敘述」。我國傳統的戲曲小說的敘事程式,往往平鋪直敘,原原本本,從頭說起。莎劇敘事,意在一開始就吸引觀眾注意,慣於在情節進展過程中截取一個切入點,從中間說起。《暴風雨》尤其值得注意,演繹的是十多年的愛怨恩仇,而戲劇時間卻壓縮在最後一天 ...
Strana vi
... 故事敘述和戲劇演出在劇場效果上的差異(或者還不懂得該怎樣去補救) (頁 112 )。我們豈不從一個方面,看到莎翁作為一位戲劇大師,通過二十多年的磨練和積累,在藝術道路上所經歷的一個發展過程嗎?作為大陸的讀者,我又另有一重體會。二○○三年大陸上曾颳起捧 ...
... 故事敘述和戲劇演出在劇場效果上的差異(或者還不懂得該怎樣去補救) (頁 112 )。我們豈不從一個方面,看到莎翁作為一位戲劇大師,通過二十多年的磨練和積累,在藝術道路上所經歷的一個發展過程嗎?作為大陸的讀者,我又另有一重體會。二○○三年大陸上曾颳起捧 ...
Strana x
... 故事說完之後,請她來評斷, /巴薩紐有沒有被人愛過。」表面上,這書簡表現了商人的高尚和寬大,可是「假如您的愛不催見 H. Grancille - Barker . Prefaces to Shakespeare 2 ( 1930 ) : 90,85 . 促您來」讓波瑕聽來, x ◎細說莎士比亞:論文集.
... 故事說完之後,請她來評斷, /巴薩紐有沒有被人愛過。」表面上,這書簡表現了商人的高尚和寬大,可是「假如您的愛不催見 H. Grancille - Barker . Prefaces to Shakespeare 2 ( 1930 ) : 90,85 . 促您來」讓波瑕聽來, x ◎細說莎士比亞:論文集.
Strana 4
... 故事的副線可以用來對照主線;角色經常反襯或互補;更別提那處處可見的文字遊戲造成的歧義。就連一整齣戲或其中的一部份都可以是另外一齣戲的批判或注釋:《仲夏夜之夢》裡面以皮拉木( Pyramus )跟( Thisbe )的愛情故事作為戲中戲,就有人認為是莎士比亞自己 ...
... 故事的副線可以用來對照主線;角色經常反襯或互補;更別提那處處可見的文字遊戲造成的歧義。就連一整齣戲或其中的一部份都可以是另外一齣戲的批判或注釋:《仲夏夜之夢》裡面以皮拉木( Pyramus )跟( Thisbe )的愛情故事作為戲中戲,就有人認為是莎士比亞自己 ...
Strana 5
... 模糊了 Berry 所稱構成劇中幻象的兩個主體:惡兆與夢想( 37 )。莎士比亞的《第十二夜》( Twelfth Night )是另一齣真有雙胞胎故事的戲,不過這回手法又自不同。首先,這對雙胞胎是兄妹。開場的時候, 薇娥拉( Viola )跟哥哥席巴金( 莎士比亞的孿生手法◎ 5.
... 模糊了 Berry 所稱構成劇中幻象的兩個主體:惡兆與夢想( 37 )。莎士比亞的《第十二夜》( Twelfth Night )是另一齣真有雙胞胎故事的戲,不過這回手法又自不同。首先,這對雙胞胎是兄妹。開場的時候, 薇娥拉( Viola )跟哥哥席巴金( 莎士比亞的孿生手法◎ 5.
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?