細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 1. 1. 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
Vyhledávání v knize
Výsledky 1-5 z 92
Strana ii
... 時候,經常給予指點,並且不吝揄揚,使後生的我深受鼓舞;今日整理舊稿,感佩前人風範,覺得特別溫馨。書中各篇,多數曾經在國內外的學術研討會宣讀,日後發表在學術期刊或論文選集,得過行政院國家科學委員會多次的研究獎助。這本書的結集出版,首先要歸功於蔡文甫 ...
... 時候,經常給予指點,並且不吝揄揚,使後生的我深受鼓舞;今日整理舊稿,感佩前人風範,覺得特別溫馨。書中各篇,多數曾經在國內外的學術研討會宣讀,日後發表在學術期刊或論文選集,得過行政院國家科學委員會多次的研究獎助。這本書的結集出版,首先要歸功於蔡文甫 ...
Strana 5
... 時候,觀眾會覺得他們其實並沒有錯認。不僅如此, Judge 還用兩個演員飾演商人乙。這兩人除了戲服的顏色以外,外貌完全「相同」。他們同時做同樣的舉止動作,以相同的聲音同時說話——簡直就是個雙重人。二既然可以為一,一當然可以為二: Judge 這一招顯然師承 ...
... 時候,觀眾會覺得他們其實並沒有錯認。不僅如此, Judge 還用兩個演員飾演商人乙。這兩人除了戲服的顏色以外,外貌完全「相同」。他們同時做同樣的舉止動作,以相同的聲音同時說話——簡直就是個雙重人。二既然可以為一,一當然可以為二: Judge 這一招顯然師承 ...
Strana 6
... 時候,她跟哥哥席巴金的重逢,使她失去了因哥哥不在而享有的這種「二而一」身份。孿生哥哥既已出現,薇拉只得分割;除了恢復自己原有的身分,別無選擇。分離造成了結合,團聚掩飾了分離。這就難怪戲裡團圓的那一景再三強調的是二,不是一,是離,不是合。奧西諾 ...
... 時候,她跟哥哥席巴金的重逢,使她失去了因哥哥不在而享有的這種「二而一」身份。孿生哥哥既已出現,薇拉只得分割;除了恢復自己原有的身分,別無選擇。分離造成了結合,團聚掩飾了分離。這就難怪戲裡團圓的那一景再三強調的是二,不是一,是離,不是合。奧西諾 ...
Strana 7
... 時候同時呈現;自己的良心也被國王捕捉了。3 《亨利四世上篇》( Henry IV , Part I )第二場第四景有一齣即興的戲中戲,原來是要為哈樂王子( Prince Hal )預備的模擬考試,好幫助他面對父王的嚴厲責問,結果竟成了王子與福斯塔( Falstaff )兩人互相傳達心中 ...
... 時候同時呈現;自己的良心也被國王捕捉了。3 《亨利四世上篇》( Henry IV , Part I )第二場第四景有一齣即興的戲中戲,原來是要為哈樂王子( Prince Hal )預備的模擬考試,好幫助他面對父王的嚴厲責問,結果竟成了王子與福斯塔( Falstaff )兩人互相傳達心中 ...
Strana 8
... 時候莎士比亞讓觀眾聽的是一套,看的是另一套。歷史劇《李察二世》( Richard II )裡有一個顯著的例子:他一方面讓劇中眾多角色高喊君權神授,一方面公然上演罷黜國王的戲碼。《威尼斯商人》( The Merchant of Venice )也許更能說明這種孿生關係。這齣戲的 ...
... 時候莎士比亞讓觀眾聽的是一套,看的是另一套。歷史劇《李察二世》( Richard II )裡有一個顯著的例子:他一方面讓劇中眾多角色高喊君權神授,一方面公然上演罷黜國王的戲碼。《威尼斯商人》( The Merchant of Venice )也許更能說明這種孿生關係。這齣戲的 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?