細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 1. 1. 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
Vyhledávání v knize
Výsledky 1-5 z 64
Strana i
... 演出,見證了各個時代的文學品味和劇場風尚;每一種理論、每一個學派,無論是滾滾長江或是涓涓細流,都各自挾帶著或多或少或大或小的洞見與偏見,同奔莎士比亞研究的浩瀚大海。近年來,文學觀念的轉變尤其迅速,文學研究日益豐富多元,各種理論又每每以莎士比亞為 ...
... 演出,見證了各個時代的文學品味和劇場風尚;每一種理論、每一個學派,無論是滾滾長江或是涓涓細流,都各自挾帶著或多或少或大或小的洞見與偏見,同奔莎士比亞研究的浩瀚大海。近年來,文學觀念的轉變尤其迅速,文學研究日益豐富多元,各種理論又每每以莎士比亞為 ...
Strana iii
... 餘地了。事實並非如此。莎論進入二十世紀,空前活躍,百家紛陳;而今天看來,布拉德雷的論著明顯地存在著不足之處。首先,他把戲劇情節和劇中人視同真人真事;莎劇在他心目中成了「案頭之作」,而忘了它們 原是供劇團演出的「台上之本」
... 餘地了。事實並非如此。莎論進入二十世紀,空前活躍,百家紛陳;而今天看來,布拉德雷的論著明顯地存在著不足之處。首先,他把戲劇情節和劇中人視同真人真事;莎劇在他心目中成了「案頭之作」,而忘了它們 原是供劇團演出的「台上之本」
Strana iv
a collection of essays 彭鏡禧. 原是供劇團演出的「台上之本」。回顧中國大陸論莎,多從大處著眼,偏重於思想性、文學性(人物性格分析等) ,有自己的風貌;似乎同樣地或多或少忽視了莎劇首先是為了演出需要的「台上之本」。時至二○○四年,鏡禧教授將歷年來 ...
a collection of essays 彭鏡禧. 原是供劇團演出的「台上之本」。回顧中國大陸論莎,多從大處著眼,偏重於思想性、文學性(人物性格分析等) ,有自己的風貌;似乎同樣地或多或少忽視了莎劇首先是為了演出需要的「台上之本」。時至二○○四年,鏡禧教授將歷年來 ...
Strana v
... 演出」,而不是缺少視覺形象的故事的「敘述」。我國傳統的戲曲小說的敘事程式,往往平鋪直敘,原原本本,從頭說起。莎劇敘事,意在一開始就吸引觀眾注意,慣於在情節進展過程中截取一個切入點,從中間說起。《暴風雨》尤其值得注意,演繹的是十多年的愛怨恩仇,而 ...
... 演出」,而不是缺少視覺形象的故事的「敘述」。我國傳統的戲曲小說的敘事程式,往往平鋪直敘,原原本本,從頭說起。莎劇敘事,意在一開始就吸引觀眾注意,慣於在情節進展過程中截取一個切入點,從中間說起。《暴風雨》尤其值得注意,演繹的是十多年的愛怨恩仇,而 ...
Strana vi
... 演出在劇場效果上的差異(或者還不懂得該怎樣去補救) (頁 112 )。我們豈不從一個方面,看到莎翁作為一位戲劇大師,通過二十多年的磨練和積累,在藝術道路上所經歷的一個發展過程嗎?作為大陸的讀者,我又另有一重體會。二○○三年大陸上曾颳起捧出第十七代牛津 ...
... 演出在劇場效果上的差異(或者還不懂得該怎樣去補救) (頁 112 )。我們豈不從一個方面,看到莎翁作為一位戲劇大師,通過二十多年的磨練和積累,在藝術道路上所經歷的一個發展過程嗎?作為大陸的讀者,我又另有一重體會。二○○三年大陸上曾颳起捧出第十七代牛津 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?